Book by A. Kopit
Music and Lyrics by M. Yeston
Adapted from the Italian by Mario Fratti
Directed by Ron Giddings
Produced by Judi Wobensmith
Performance dates:
March 31 - April 30, 2017
Run time: 2h

Nine is the story of a film director, the celebrated Guido Contini, and his attempts to come up with a plot for his next film as he is pursued by hordes of beautiful women, all clamoring to be loved by him and him alone. Flashbacks reveal the substance of his life, which will become the material for his next film: a musical version of the Casanova story.

To download the production postcard for Nine to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. 

About the Author/Lyracist/Composer

Two Tony Award winners -- Arthur Kopit and Maury Yeston -- corroborated on the book, lyrics, and music for the Broadway hit Nine, winner of the 1982 Tony for best musical. Kopit is a two-time Pulitzer Prize finalist for his plays Wings and Indians, which also received Tony nominations for best play. He won what is now known as the Drama Desk Award for best play in 1962 with the intriguingly-titled Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad. Yeston won two Tonys for best musical score for Nine and Titanic. He also was one of the composers of the Tony-nominated score for Grand Hotel. Following their success with Nine, Kopit and Yeston wrote a musical based on The Phantom of the Opera, but Andrew Lloyd Webber beat them to Broadway with his smash hit. The two Americans reluctantly shelved their musical, later reviving it as a four-hour, two-part NBC miniseries under the title Phantom.

About the Director

Ron Giddings is an award-winning actor, director, and choreographer who received his BA from Loyola College of Maryland in Theatre and Writing and his MA in Arts Administration from Goucher College. As the founding Artistic Director of Standing O Productions and a former Artistic and Education Director of Colonial Players, he has directed Wonder of the World, Moonlight and Magnolias (WATCH Best Play and Best Director nominations), Mr. Marmalade, two 24-Hour Projects, and was awarded the Ruby Griffith Award for Overall Production Excellence in 2007 for his production of Urinetown; the Musical at ASGT as well as for Best Achievement of a Play in 2013 for Shipwrecked! at Colonial Players. He has acted in the area with Dundalk Community Theatre, Cockpit in Court, Dignity Players, Annapolis Summer Garden Theatre, Moonlight Troupers, 2nd Star, Colonial Players, Phoenix Festival Theatre, the Maryland Arts Festival, and Standing O. He most recently appeared as Edgar/Bat Boy (WATCH award for Outstanding Lead Actor in a Musical) in the much-heralded Bat Boy: The Musical; as Frank Abagnale, Jr. in Catch Me If You Can; and as Nick in Who’s Afraid of Virginia Woolf? (WATCH award for Outstanding Featured Actor in a Play).

About the Music Director

Andrew Gordon is honored to have returned to Colonial Players alongside a tremendously talented cast and brilliant production team, having last appeared in 2003’s A Christmas Carol. An analyst for an IT company by day, he pursued a double major in Mathematics and Piano Performance at New York University, during which he interned with the Broadway revival of Godspell and worked as an audition/workshop pianist for the New York productions of Wicked, Newsies, Chicago, and Porgy and Bess. As a composer, Andrew has premiered original works at New York City’s 54 Below and Washington, D.C.’s Signature Theatre. His credits as a dancer include West Side Story at Manhattan’s Skirball Center for the Performing Arts, Can-Can, Damn Yankees, and Evita, among others. A recent recipient of WATCH Award nominations for his choreography for The Music Man and Guys and Dolls with 2nd Star Productions. Andrew will serve as choreographer for Mary Poppins (2nd Star) and The Full Monty (ASGT) this season. Sincere thanks and love go out to Jerry, who greets him with nothing but smiles and patience, the incomparable Jeannine Case, who taught him everything he knows about music, and his endlessly supportive family, without whom he would truly be lost. He dedicates this performance to the beautiful memory of his grandparents. 

Director's Notes

To me, Nine is about so many things. Certainly, at its core, it is about a man in crisis. Guido is unsure of what will be the inspiration for his next hit film, but this sophisticated musical operates on a variety of levels. As a director, Guido is having an artistic block. He has created a reputation that cannot be sustained…the need to top himself with every film. His adoring fans mob him, crying “genius!” and calling his work “life-changing,” but the thing about Guido is that there will never be enough. There can never be enough praise, enough prizes, enough women, enough acclaim.
One of the two most crucial lines in the musical comes from the Greek Chorus character of Our Lady of the Spa. She tells Guido, “you must choose.” It is really the central theme of the show for me. There are consequences for every decision. Part of being an adult, “getting tall,” is about making choices. This line is echoed at the end when Young Guido sings, “knowing you have no one if you try to have them all.” Guido needs these women so desperately because they help him hide. He can choose which aspects of himself he wants to share with each of them, which is far easier than being vulnerable or real with any one of them. One of the main touchstones for me through the process comes from novelist Olga Grushin. “Geniuses love their own fire, their own brilliance reflected in those around them, and there will always be someone whose mirror is brighter, or else newer and thus more given to reflections, than your own.” I shared this quote at the first rehearsal, because it is so important to me that Guido’s flitting from woman to woman be about much more than sex. Additionally, there is something scary about the women in this show. They are menacing and intensely aggressive in their desire. They each want Guido for themselves, which of course, can never be. Two quotes from reviews of 8½, the film upon which the musical is based, also helped me focus on the themes. “Who will you be at the most crucial moment of your life?” and “As image piles on image and then fantasy becomes indistinguishable from the reality, the viewer may get lost in a maze of dazzling incoherence.” Guido’s mental breakdown, which allows the audience to view both reality and the world within his head simultaneously, is such an important pillar upon which the musical stands. This is his darkest moment, but also the moment of his greatest inspiration. As audience members, we delight in the fantasy sequences of “Folies” and “Be Italian,” huge production numbers, but we cannot forget that the battle for Guido’s soul is also taking place before our eyes, and sacrifices must be made.

– RON GIDDINGS

The Cast

Debbie Barber-Eaton (Sarraghina) - Debbie holds a degree in Musical Theatre from The Catholic University of America. A director, performer, and acting coach, she has worked in local and regional theater and has a particular interest in the genre of cabaret. Debbie last appeared at CP as Martha in Who’s Afraid of Virginia Woolf?, earning a WATCH Award nomination for best lead actress in a play. Other favorite roles include Hattie in Follies for Signature Theatre; Sonja in They’re Playing Our Song (Ruby Griffith Award for CP); Rose in Gypsy; Pam in Baby (Ruby Griffith Award for CP); Adelaide in Guys and Dolls; Pistache in Can-Can; Mrs. Lovett in Sweeney Todd; and the delicious Lady Macbeth, for which she won a CP Acting Award. Debbie recently directed Calendar Girls for CP and Guys and Dolls for 2nd Star Productions, which garnered the Ruby Griffith Award for All Round Production Excellence and a WATCH nomination for Debbie for her direction. Debbie is proud to have received the final directing award given by CP for her direction of The Robber Bridegroom. “Ron, thanks for encouraging me to audition; you know I adore you. As ever, my love and thanks to my dearest beloveds: Neal Andrew, Eddie, Paul, Donna, Cathy, Casey, and my Diva pals. To Jason Vellon, with all my love.”

Kirsti Dixon (Olga Von Sturm/Second Woman/Folies Girl) - Kirsti is excited to return to The Colonial Players. She made her CP debut as the Ghost of Christmas Past in A Christmas Carol two years ago. Before that, at UMD, where she studied mechanical engineering on the side, Kirsti performed in and directed productions such as The 25th Annual Putnam County Spelling Bee, A Very Potter Musical, and A Very Potter Sequel and sang in an all-girl a capella group, The UMD Treblemakers. Recently she has been seen in 2nd Star’s The Music Man, Heritage Players’ Thoroughly Modern Millie and Spelling Bee, and ASGT’s The Wedding Singer, The Producers, and 50 Years Under the Stars. She gives much love to her family and boyfriend for being there for every show and putting up with her never-ending schedule of rehearsals and busy weekends. And she dedicates the rest of her shows to Duane, who she knows would have never missed a show. Especially one as interesting as this.

Rebecca Kyler Downs (Liliane La Fleur) - Rebecca is new to Annapolis and thrilled to be doing her first show at The Colonial Players. A professional actor in Los Angeles and New York, she has looped movies and recorded voice-overs and video games, including multiple characters for the entire World of Warcraft series. TV shows include CSI Miami, Robbery Homicide Division, Will and Grace, Monsters, and Night Stand. She has shot several independent films, working with wonderful actors like Walter Olkelwicz, Robert Hays, James McCaffrey, and Alexandra Wentworth; she cheerfully admits a few of them were absolutely dreadful. Rebecca worked off-Broadway in New Jersey at The Whole Theater Co. as well as at smaller theaters in New York, Los Angeles, and Boston. Her favorite roles were Ruth in The Homecoming, Twirler in Talking With..., and Cassandra in Agamemnon. In all of her commercials -- Fed-Ex, Nyquil, Toyota, Applebee's, Taco Bell, Verizon, etc -- she’s a mom. Also a professional jazz singer and published songwriter, Rebecca collaborated on music for Wedding Crashers and Monster-in-Law. She’s performed her own songs in soundtracks for films like Oscar-nominated The Cooler and Down With Love and TV series Roswell and Cathouse. She is profoundly grateful to her parents for setting the bar for life and love so high.

Kaitlin Fish (Diana / Gondolier / First Woman) - Kaitlin is thrilled to be returning to The Colonial Players in this production of Nine. She was most recently seen at CP playing Ayah/Claire Holmes in The Secret Garden. Other favorite roles include Ethel Toffelmier in The Music Man with 2nd Star Productions and Fred’s Wife in A Christmas Carol with The Colonial Players. Kaitlin would like to give a huge thank you to Ron, Andrew, Judi, and the entire cast and crew for such a wonderful opportunity. When she is off the stage, Kaitlin works as a Realtor and loves helping her clients find their dream homes.

Katie Gardner (Stephanie Necrophorous) - Katie is thrilled to make her debut performance at The Colonial Players. Some of her most memorable roles include Cindy Lou Huffington in The Marvelous Wonderettes, Yellow Girl in Shout! The Mod Musical, and a lead singer in Swing! at the Annapolis Summer Garden Theatre. When not performing, Katie is in her sixth year teaching physical education in Anne Arundel County Public Schools. She also enjoys coaching the dance and Girls on the Run teams at her school. In her spare time, Katie supports and performs in the local music scene and attends music festivals. She would like to dedicate her performances to her family, Mike, and her friends for their unconditional love and support.

Ryan Gunning (Lina Darling / American Reporters) - Ryan received her B.A. in Theatre Performance from the College of Charleston with concentrations in both performance and directing. Most recently, she appeared in Vagabond Theatre’s productions of Our Town and Avenue Q. She is thrilled to be making her Colonial Players debut with such a wonderfully talented group of artists in this fantastic production. Thank you to all of my friends and family, especially my parents, who are the best people I know.

Hannah Hall (Heidi Von Sturm / British Reporter / Third Woman / Aunt) - Hannah is a freshman at Severna Park High School, and this is her first production with The Colonial Players. She is thrilled to be in a show with such a creative and sweet cast and crew. Aside from CP, she has been in shows such as Mary Poppins at Children’s Theater of Annapolis and HMS Pinafore at 2nd Star Productions. Some of her favorite roles include July in Annie and Marian Paroo in The Music Man at Anne Arundel Community College. Hannah recently appeared in Rock N' Roll Revival at Severna Park High School. She has studied opera at Interlochen Center for the Fine Arts in Michigan and under her voice teacher, Deborah Brown. Hannah is also a member of the Severna Park High School Mock Trial team as well as a member of the Young Democrats of America. She would like to thank her family and wonderful friends for supporting her and her amazing cast for being so welcoming.

Debra Kidwell (Maria / Cardinal / Sixth Woman / Folies Girl) - Debra is happy to be back at Colonial Players in this fantastical and entertaining production. You may have caught her 2016 CP performance in Boeing, Boeing. Other recent credits include Laughter on the 23rd Floor with Laurel Mill Players, The Producers, and the 50th anniversary show with Annapolis Summer Garden Theatre, and Guys and Dolls with 2nd Star. Debra loves all things song, dance, and glamour, so she is having the best time in this perfect show for all three! Enjoy!

Erica Miller (Claudia Nardi) - Erica is excited to back on the stage at The Colonial Players. Performing in Nine is a dream come true, and she couldn't have asked for a better cast! She extends her many thanks to the production team for all of their hard work. Previous performances in the area include: Gwendolen Fairfax in Ernest in Love at CP, ensemble in South Pacific with the Annapolis Opera, Ulla in The Producers at Annapolis Summer Garden Theatre, Sgt. Sarah Brown in Guys and Dolls and Tracy Lord in The Philadelphia Story, both with 2nd Star Productions. Erica graduated from Point Park University in Pennsylvania with a bachelor's degree in Theatre Arts in 2009. She moved to Annapolis in 2013 and has since become an actress, teaching artist and administrative staff member with local theaters, and a wife at home. Mom, Dad, and extended family -- I hope I make you proud.

Jamie Erin Miller (Carla Albanese) - Jamie is thrilled to be back at The Colonial Players with this amazing cast and crew in this incredible show. Jamie was most recently seen as Gertrude McFuzz in Greenbelt Arts Center’s Seussical the Musical. She majored in theater at The University of Central Florida and received her Master’s Degree in Elementary Education. She currently works in education by day and theater by night. Since moving to Maryland almost 11 years ago, Jamie has performed in the Maryland and DC area with Annapolis Summer Garden Theatre, The Colonial Players, Dignity Players, 2nd Star Productions, Standing O Productions, and Winters Lane Productions (to name a few). Some of her favorite roles include Miss Adelaide in Guys and Dolls (nomination for a Washington Area Theater Community Honors Award), Maureen in Rent, Woman 1 in I Love You, You’re Perfect, Now Change (WATCH nominee), Millie in Thoroughly Modern Millie, Lois in Kiss Me Kate, and Izzy in Rabbit Hole (WATCH nominee). Jamie thanks Ron and everyone at The Colonial Players for the opportunity to bring Carla to life. She is extremely grateful for the love and support of her family and friends, especially her husband, Andrew, and their five-year-old daughter, Sophie. “Gertrude and Seussical were for you, Sophie. This one is for Mommy! ‘Boompa Boompa!’”

Jackson Parlante (Young Guido) - Jackson is a fifth grader at Crofton Woods Elementary. He has appeared in many Talent Machine Company productions such as Annie Get Your Gun and Camp Rock as well as three holiday shows. In his spare time, he enjoys tap-dancing, playing the piano, gaming, singing, and spending time with his friends and family. Jackson is thrilled to be part of his first Colonial Players production and would like to thank Ron, Judi, and Andrew for the opportunity to play Young Guido!

Cara Marie Pellegrino (Our Lady of the Spa / Aunt) - Cara is excited to be in Nine after a long hiatus from the stage. Past credits include: The Baker’s Wife in Into the Woods (GMU), Nellie in Jekyll and Hyde (KAT), Rene/Ensemble in Dirty Rotten Scoundrels (DTC), and Mary Flynn in Merrily We Roll Along (WST). Cara holds a BA in Music Education with a minor in Theater from James Madison University. She thanks her husband for his constant love and support, her parents and friends for believing in her even when she didn’t, and the amazing cast and staff of Nine!

Susan S. Porter (Mama Contini) - Susan is delighted to be back at CP, where she was last seen in A Christmas Carol. Favorite roles include: Yenta, Fiddler; Edith Frank, The Diary of Anne Frank (Toby’s Dinner Theatre); Mrs. Gardiner, Pride and Prejudice; Marcellus/Player Queen, Hamlet, tour (Chesapeake Shakespeare); Margaret/various other roles, The Laramie Project (KAT); Cyn, The Revelation of Bobby Pritchard (Iron Crow); Cunningham, The Last Days of Judas Iscariot (NCDA); Maddy, Mamalah (Spotlighters Theatre); Lee Green, Tale of the Allergist's Wife, and Shirley Kaplan, Street Scene (Fell’s Point Corner Theatre); Norma Hubley, Plaza Suite (Cockpit in Court); Lorenzo/Coachman, Pinocchio (Red Branch Theatre); Doris, Lemonade Dreams (FCP-Capital Fringe Festival); improv troupe, Yo’ Mama’s Cookin’ (HCC). Training: National Conservatory of Dramatic Arts. To Ron for your trust and support and always, mia famiglia.

Alicia Sweeney (Luisa Contini) - Alicia is pleased to return to The Colonial Players. Previous performances at CP include Mrs. Peacock in Clue, Mrs. Taylor in Bat Boy, and The McShane Sextuplets in Wonder of the World. Alicia has been involved with many community artistic organizations in Annapolis. She was recently seen as Morticia Addams in Annapolis Summer Garden Theatre’s Addams Family and as Edith Frank in Compass Rose Theater’s production of The Diary of Anne Frank. When not performing, she works at Calvary United Methodist Church and also volunteers for SOS Labrador Retriever Rescue. Many thanks to Ron, the entire cast and crew of Nine, and to you, the audience, for coming out to support live theater.

Jason Vellon (Lawrence/Liam) - Jason is thrilled to be back at Colonial Players. He was trained in theater in NYC at The American Music Dramatic Academy, but this theater and this group have become a second home for him. Past roles here have been Bell, Book and Candle; The Robber Bride Groom, and Side Man; which earned him a WATCH award nomination. He has performed locally at ASGT, Chesapeake Music Hall, Signature Theater, Moonlight Troupers, Dignity Players, Theater 11, and Standing O. “Special thanks to Colonial Players for having the guts to do this show and also Debbie for leading this cast with your patience and wisdom. We couldn’t have done it without you.” Jason would also like to thank this inspiring cast of extraordinary women and men and his friends for their overwhelming support these past couple of months. “You know who you are, and I love you.” Jason dedicates his performance to his siblings, especially his sister, Michelle. “You saved my life in every way possible. Theory Twins Unite.” “Mom and Dad…..I Love Ya.”

Rhonda Wardlaw (Francesca / Fifth Woman) Rhonda's love of song and dance began at a young age when her mom would take her to New York once a year to see a Broadway show. She distinctly remembers the year they went to see Nine with Raul Julia as Guido, and says her performance in this show is a “thank you” to her mom for all the years of love and support. She was in the production of A Christmas Carol in 2003 and 2005, and is grateful for this tremendous opportunity to be back on the Colonial Players stage after a twelve-year absence. She and her husband Mark are active in a number of Scottish organizations, but since Rhonda started rehearsals, Mark has taken a real interest in the Italians! Her background includes 20+ years in television as a reporter and meteorologist, most recently in San Francisco, Baltimore, and Washington D.C. She currently works in government communications.

Rowena B. Winkler (Annabella / German Reporter / Fourth Woman) - Rowena is ecstatic to return to the stage after an “almost Nine” year hiatus. During that time, she was busy obtaining her Ph.D. in Communication at the University of Maryland, College Park and keeping her performance energy active through competing with the Ballroom at Maryland team (where she met the majority of her fans – hi BAM!). Her favorite past roles include Little Sally (Urinetown), Cinderella (Into the Woods), Sr. Mary Amnesia (Nunsense), and Cosette (Les Miserables). Rowena would like to give a huge thanks to Ron and the entire Colonial Players community for giving her this amazing opportunity (as an alto nonetheless!), her fellow “Nores” for all the laughs and making her feel so welcome at rehearsals, and her husband Derek for supporting her transition back into musical theater and being OK with seeing his wife slut-it-up on stage.

The Production Staff

Frank Florentine (Lighting Designer) Frank has spent years creating Magic with a Drop of Light! For the last four years, his lighting designs for The Colonial Players have generated outstanding reviews, two Washington Area Theater Community Honors (WATCH) nominations for best lighting design (Chapter Two and Coyote on a Fence), and two selections for Best Lighting Design for a Musical (Bat Boy and Ernest in Love) in the WATCH area. Frank created lots of Magical Light for Colonial Players’ 2016 production of A Christmas Carol. His previous work includes 25 years as lighting designer for the Smithsonian Institution, National Air and Space Museum; show caves throughout the United States; residences; and a 65,000-mile tour with the late Danseur Rudolf Nureyev. His work has achieved numerous professional awards. Frank is a Fellow of the Illuminating Engineering Society and Lighting Certified by the National Council of Qualified Lighting Professionals. He is also a member of United Scenic Artists 829, Lighting Designer. Frank and his wife, Susan Cook (who reluctantly but lovingly becomes a theater widow when he lights a show!!), have lived in the Annapolis area for 27 years.

JoAnn Gidos (Properties Designer) This is JoAnn's third show of the season following The Cripple of Inishmaan and Calendar Girls. In addition, she supported Hamlet and God of Carnage at Compass Rose Theater and also worked with Ron Giddings at Severn School. Working with Ron is always fun and a challenge -- recall Shipwrecked? As always, a special thank you to Mike Gidos and Charlotte Robinson, the latter having stepped in during the final week of rehearsal while we traveled to Arizona for The Final Four.

Patti Grieb (Hair and Makeup Co-Designer) Patti returns to Colonial Players to do hair design for a second show. Earlier this season, she enjoyed helping create Victorian hair designs for the 2016 production of A Christmas Carol. Patti has been a member of Colonial Players since 1994. She has appeared in A Christmas Carol at Colonial Players 17 times in various roles. Being behind the scenes provided Patti with a new appreciation for theatrical productions. She sends thanks to Beth Starnes for bringing her aboard for the production of Nine.

Shirley Panek (Stage Manager) Shirley returns as stage manager after handling that duty for Colonial Players for 1776 and Bat Boy. She has designed lights for several shows, including A Few Good Men and Dead Man’s Cell Phone, and is president of CP’s Board of Directors. Shirley also has appeared in several CP productions, most recently portraying Margaret in last season’s Good People. She extends thanks to Ron, the cast, and production staff for a beautiful show. “Special thanks to Nell Codner-Jarashow for stepping in as assistant stage manager. There is no one who is more fun to have backstage. Love to Jeff, Drew, and Emma.”

Beth Starnes (Hair and Makeup Co-Designer) Beth has assisted in countless theater productions and enjoys working behind the scenes. One of her favorite credits is animal costume designer for 2nd Star’s Children of Eden, which won the 2014 WATCH Award for Best Costume Design in a Musical. In real life, Beth is the librarian for Southern High School, where she is passionate about digital citizenship and teen literacy. This year Beth is proud to be a semi-finalist for AACPS Teacher of the Year and a finalist for the Maryland State Association of School Librarians, Librarian of the Year. Most importantly, she is mother to three wonderful young adults: Stephanie, Austin, and Daniel (her actor who started all this). Beth would like to thank her co-designer, Patti, as well as her husband, Jeff, for his unwavering support of her theater endeavors.

Beth Terranova (Costume Designer) Beth is still unsure how she ended up as the costume designer for Nine, after explaining repeatedly the timing was not good for such a project. And yet…here she is. Beth has just come off designing the Christmas Past sequence for A Christmas Carol at Colonial Players and, at Compass Rose Theater, Eleanor: Her Secret Journey and The Diary of Anne Frank. Her previous costume designs were seen on the CP stage in A Few Good Men, These Shining Lives, Coyote on a Fence, Going to St. Ives (WATCH nomination), Cinderella Waltz (WATCH nomination), Lettice and Lovage, The Diviners, The Lion in Winter, The Philadelphia Story, She Loves Me!, Hauptmann, and Moon Over Buffalo. She also designed costumes for Beyond Therapy at Bay Theatre. Most recently at CP, Beth produced Who’s Afraid of Virginia Woolf? and directed Sherlock’s Last Case. Other work behind the scenes at CP includes set designer, play consultant, and tech crew. By day, Beth is a Program Analyst for the Navy’s Enterprise Business Solutions Program, where her left brain gets a workout. To balance that, she is thankful for the right brain exercise that theater provides.

Judi Wobensmith (Producer) Judi has been involved in over 200 productions in the Annapolis/DC area both on and off the stage. She has produced shows at The Colonial Players, Annapolis Summer Garden Theatre, and Petrucci’s, to name a few. Previous directing credits include: A Christmas Carol (four times at CP), The Music Man, Gigi, The King and I, Carnival, Marriages, Something’s Afoot) at both Colonial Players and 2nd Star Productions), The Sunshine Boys, and Mrs. California, among others. She has served three terms on the Board of Directors at CP, Annapolis Summer Garden Theater, and Children’s Theatre of Annapolis and has appeared in various TV commercials and documentaries. Judi spends her spare time working at the House of Delegates in Annapolis.

Written by Tim Firth
Directed by Debbie Barber-Eaton
Produced by Carol Youmans
Performance dates:
February 17 - March 11, 2017
Run time: 2h 30m

After Annie's husband John dies of leukemia, she and best friend Chris resolve to raise money for a new settee in the local hospital waiting room. They manage to persuade four fellow members of the local Women’s Institute to pose nude with them for an "alternative" calendar. The news of the women's charitable venture spreads like wildfire, and hordes of press soon descend on the small village of Knapeley in the Yorkshire Dales. The calendar is a success, but Chris and Annie's friendship is put to the test under the strain of their new-found fame.

To download the production postcard for Calendar Girls  to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. 

About the Director

Debbie Barber-Eaton holds a degree in Musical Theatre from Catholic University and studied the genre of cabaret at Yale. She was on the faculty of Maryland Hall for the Creative Arts for 15 years, teaching all ages. Debbie has worked as a performer and a director in local and regional theater, including Signature Theatre, Riverside Theatre, Bay Theatre, Dignity Players, Chesapeake Music Hall, Standing O Productions, Annapolis Summer Garden Theatre, The Annapolis Dinner Theater, Chesapeake Music Hall, Rep Stage, and Colonial Players. Most recently, Debbie appeared as Martha in CP’s autumn production of Who’s Afraid of Virginia Woolf? (WATCH nomination for lead actress). She appeared as Mayor Maggie in Bat Boy and received a CP acting award for her portrayal of Lady Macbeth. Debbie is thrilled to be playing Sarraghina in CP’s upcoming production of the musical Nine.

Debbie’s most recent turn in the director’s chair was Guys and Dolls (WATCH nomination for directing), which garnered the Ruby Griffith Award for All Round Production Excellence for 2nd Star Productions. Other favorite directorial projects include The Addams Family Musical (ASGT), Bell, Book and Candle (CP), A Christmas Carol (CP 2010), Sordid Lives (Dignity Players), and john & jen (Standing O Productions). Debbie had the honor of receiving the final directing award that Colonial Players gave for her direction of The Robber Bridegroom. “I would like to thank this stellar cast, design team, and staff for lending their passion and talent to this project. As ever, my thanks and love go out to my family and friends for their love and support, especially Neal Andrew, Eddie, Paul, Donna, Stepha, Cathy, Fran, Casey, and the Annapolis Divas. In loving memory of David Titus, Bob and Brigette Marchand, and Tom Ammon. I miss you.”

Director's Notes

Another title for this play could be, "What I Did for Love". First a film and now a stage play, Calendar Girls is the true story of a group of ladies in Yorkshire, England who found the courage to bare it all in a charity calendar in memory of one of the ladies’ husband whom they all adored. Little did they realize the revealing of bodies would lead to such revelations of spirit. The themes of Calendar Girls are many, including friendship, the celebration of women of all ages and body types, the channeling of grief into something meaningful, and love. Especially love.

My relationships with women have shaped my life. The better parts of me have been nurtured and encouraged by my mother, my grandmother, my sisters, and my friends. Right up there with spouses and children, these are the ties that bind. In Calendar Girls , we celebrate what can happen when a handful of women have a little (crazy?) idea and make their way out of their comfort zone in the name of love. As Mother Teresa said: “We can do small things with great love.” Calendar Girls says: Yeah, but we can’t always control what happens next!

– DEBBIE BARBER-EATON

The Cast

Shannon Benil (Cora) - Shannon's recent past experiences at The Colonial Players include Clue! The Musical (the one-week musical project this past summer), Watch on the Rhine, Bat Boy, and Company, as well as many others over the 20 years she has performed here. And NONE of them could have prepared her for being "nude" on this stage! But being surrounded by such a talented and supportive cast and staff made it completely bearable. She knew they had her back...and front too! Much love to her wife, Marcy, for playing single Mom to their 4-year-old son while Mama feeds her theater addiction.

Darice Clewell (Marie) - Darice celebrates 30 years with The Colonial Players in this production. Holding a degree in Theater Arts/Drama from UW Madison, she acts, directs, and choreographs, along with serving on our board of directors several times, most recently as president. Appearances at CP and other local groups include Enchanted April, Lettice and Lovage, Steel Magnolias, The Crucible, The Glass Menagerie, Sordid Lives, and The Vagina Monologues. Thanks to Debbie for this opportunity, and to the Play Selection Committee for providing more opportunities for women this season. It is a privilege to play with this cast and directorial staff, friends all! Special thanks to my Mr. January…who looks good even with the staples.

Rosalie Daelemans (Elaine) Rosalie is delighted to be performing in this wonderful production with such a talented cast and crew. Recently she appeared in The Importance of Being Earnest as Lady Bracknell. Other favorites include: Noises Off, The Man Who Came to Dinner, Bloody Murder, Fox on the Fairway, On Golden Pond, Run for your Wife, Don’t Dress for Dinner, Steel Magnolias, City of Angels, South Pacific, Damn Yankees, Little Shop of Horrors, My Fair Lady, and Mame. Rosalie has also acted with her husband and three kids. In May, she will have the privilege of sharing the stage with her birth daughter in Pennsylvania! Off stage, Rosalie is often helping with scene changes, costumes, props, lighting, set dressing, and painting. Tremendous thanks to everyone for their support, creativity, hard work, and sense of humor!

Rick Estberg (John) - Rick is so glad to be in this show and to be playing a nice guy once again; his last two roles, with Pasadena Theatre Company, were as baddies, playing Juror 10 (12 Angry Men) and Mr. Sawyer (Miracle on 34th Street). His favorite roles with CP include Ziggy (Side Man), Max Tarasov (Superior Donuts), Bert Healy (Annie), and Charles Thomson (1776). He is certain that the audience will be as thrilled as he is that he gets to keep his clothes on during this show. He thanks Director Debbie for letting him be part of such a wonderful cast! During daylight hours Rick works for the Defense Department, where he is winding down a career spanning more than 40 years.

Lynn Garretson (Celia) - Once upon a time, when junior high school still existed, there was a place called the Burn Brae Dinner Theater where Lynn was privileged to appear in several productions while her parents carted her back and forth. At the age of 17, Lynn played Anne Frank at the Alliance Theatre in Atlanta, GA. Community theatre, as far flung as Milwaukee, WI followed until she found herself at the Chesapeake Music Hall. Lynn fulfilled a childhood dream of appearing in The Sound of Music when she played Sister Margaretta in Compass Rose’s 2014 production. Lynn was in Colonial Players’ 1998 production of Cabaret and more recently appeared at CP in Bat Boy with her amazing stepdaughter, Paige Miller. Words cannot express her gratitude and her admiration for this cast, director, and artistic team.

Laura Gayvert (Chris) - Laura is so happy to be back at Colonial Players with such a talented, funny, supportive group of people. She has been in several productions here on East Street, including Trip to Bountiful, Moon Over Buffalo, Wonder of the World, Rocket Man, and Frozen (NOT the Disney musical), for which she was nominated for the Washington Area Theatre Community Honors (WATCH) award for Outstanding Featured Actress in a Play. Other local credits include Crimes of the Heart and Sordid Lives at Dignity Players and Seven Year Itch at BCT. "Thanks to Debbie for casting and directing me, and most importantly, to my husband for his love and support."

Kathy Jones (Lady Cravenshire / Brenda) - Kathy is excited to perform for the first time with The Colonial Players! She has previously acted with the Peake Players at Chesapeake College and Church Hill Theatre, most recently as Yente in Fiddler on the Roof and as assistant director for One Flew Over the Cuckoo's Nest. When not onstage or singing classic rock, Kathy teaches deaf and hard of hearing students on the Mid-Shore. She thanks her family and friends for their support and this wonderful cast and crew for the warm welcome!

Karen Lambert (Ruth) - A veteran of the stage, Karen is thrilled to be working again with director Debbie Barber-Eaton. Previously, she appeared in Good People, The Diviners, Mrs. California, and Hayfever, among other CP productions. Productions at other theaters include Sordid Lives; Almost, Maine, and the ensemble staged reading of 8 at Dignity Players Additional stage credits include performances with children’s theater, summer stock, and of original works, including historical characters. When not onstage, Karen works as an advertising account executive, writer, and marketing consultant. In her spare time, you may find her hunting fossils and sharks' teeth near her home in North Beach while helping to raise her two canine companion rescues. Karen extends heartfelt gratitude and enduring friendship to a fabulous cast and crew.

Eric Lund (Rod) - Having spent all his time last year behind the lights (designing four of the shows), Eric decided to step in front of them this year. Eric designed lights for The Secret Garden, was nominated for a WATCH award for Side Man, and was nominated with co-designer Alex Brady for Venus in Fur. He has worked extensively in area theaters, including Dignity Players, ASGT, Vagabonds in Baltimore, and others. On CPs stage he has appeared in productions of Rebecca, The Clearing, and various iterations of A Christmas Carol. He appeared in Dignity Players productions of The Laramie Project, Gross Indecencies, and The 39 Steps. He directed The Voice of the Prairie and two years of A Christmas Carol for CP and The Vagina Monologues for Dignity Players. He is very honored to be working with this amazing cast and crew. And, as always, thanks his husband of 24 years, Mickey, for his support and endless patience!

Marti Pogonowski (Annie) - While Marti has not been on stage in ten years, her association with The Colonial Players is a long one. She first appeared in the ensemble of Carousel, then as Anne in The Diary of Anne Frank, both in 1969. Over the years, she has taken on a number of roles on our stage, including Misalliance; You’re a Good Man, Charlie Brown; The Fantasticks; The Sea Gull; Shadowlands; Strange Snow; Lost In Yonkers; Jacques Brel…; Kid Purple; and Enter the Guardsman. She was also a winner of the Irene Ryan Acting Award, which earned her a place in competition at the Kennedy Center. Marti recently retired as an executive director with Anne Arundel County Public Schools and enjoys traveling with her husband, Dan.

Jason Vellon (Lawrence/Liam) - Jason is thrilled to be back at Colonial Players. He was trained in theater in NYC at The American Music Dramatic Academy, but this theater and this group have become a second home for him. Past roles here have been Bell, Book and Candle; The Robber Bride Groom, and Side Man; which earned him a WATCH award nomination. He has performed locally at ASGT, Chesapeake Music Hall, Signature Theater, Moonlight Troupers, Dignity Players, Theater 11, and Standing O. “Special thanks to Colonial Players for having the guts to do this show and also Debbie for leading this cast with your patience and wisdom. We couldn’t have done it without you.” Jason would also like to thank this inspiring cast of extraordinary women and men and his friends for their overwhelming support these past couple of months. “You know who you are, and I love you.” Jason dedicates his performance to his siblings, especially his sister, Michelle. “You saved my life in every way possible. Theory Twins Unite.” “Mom and Dad…..I Love Ya.”

Mary Fawcett Watko (Jessie) - Mary is absolutely thrilled to be one of the “calendar girls”! Why? Because she was born and raised in Yorkshire only minutes away from the “Gateway to the Dales.” Her first stage experience at the age of 11 years was at Yeadon Town Hall in Yorkshire, and now she is performing at her beloved Colonial Players as a Yorkshire “calendar girl.” “It doesn’t get any better than that!” Mary has been active with CP since 1981, and through that time has received awards for both acting and directing for CP as well as from the State of Maryland and the British Embassy in Washington. She appreciates the incredible support that CP offers to everyone: production staff, crew members, cast, and all volunteers involved. Her special thanks go to the director, Debbie Barber-Eaton, for making this happen. “You can always be sure that working with Debbie, in any capacity, will be a joyful, memorable experience! Hugs to husband, Greg, and son, Shawn, for their love and continued support.”

The Production Staff

Joann Gidos (Properties Designer) A graduate of SUNY Cortland, JoAnn is a retired educator. She has been doing properties and set decoration for a variety of local theaters for almost thirty years. This season she worked on The Cripple of Inishmaan at Colonial and Camelot at Compass Rose Theater. Next up, Nine right here and God of Carnage at CR. As always, thanks to Mike for his support and Charlotte Robinson for her continued assistance.

Fran Marchand  and Paige Myers (Costume Designers) Fran and Paige work as a costume designer team for Colonial Players. Together, they costumed last season’s Side Man, created costumes for Mary Lennox in The Secret Garden, and costumed the cast for the musical Clue, which was cast, rehearsed, and performed in just one week. They are best known for working silently behind the scenes and thinking outside the box. Fran is retired from the Department of Defense, and Paige is a graphic design artist.

Andy McLendon (Stage Manager) Calendar Girls is the latest of many shows Andy has stage managed since she first got involved with The Colonial Players in the 1970s. Most recently, she was stage manager for two shows during the 2015-16 season: The Secret Garden and Morning’s at Seven. Andy has volunteered for a number of jobs at CP, but her task of choice is stage managing. Memorable productions at CP include Closer Than Ever, The Robber Our Song, Enter the Guardsman, Cabaret, Blood Brothers, and A Christmas Carol.

Edd Miller (Set and Floor Designer) Edd has a long history with The Colonial Players as a director, actor, set designer, and volunteer in other areas. His most recent set design was for last season’s Good People, which he also directed. Other recent design credits include Rocket Man, Dead Man’s Cell Phone, In the Next Room, and Annie. Edd was nominated for a Washington Area Theatre Community Honors set design award for Chapter Two and won a 2012 WATCH award for best direction for Going to St. Ives, which also won awards for best play and for best lead actress. Edd also has acted in and directed many other shows since joining CP in 1964.

Shirley Panek (Lighting Designer) Shirley is proud to be a part of this beautiful show. Other light design credits at The Colonial Players include Cripple of Inishmaan, Clue (the one-week musical project), A Few Good Men, Dead Man's Cell Phone, Trying, Moonlight and Magnolias, and Chapter Two (2012 WATCH nominee) as well as Art at Dignity Players. Thanks to Debbie Barber-Eaton for her spirit and vision and this wonderful cast of women and men for their patience during tech week. “Love to Drew, Emma, and Jeff -- the lights that shine in my life every day."

Sarah Wade (Sound Designer) Sarah is very pleased to be behind the scenes again, having just finished this year's production of A Christmas Carol following her role as Honey in Who's Afraid of Virginia Woolf?, for which she has received a WATCH award nomination. Prior shows include: Boeing, Boeing; Ernest in Love; The Liar; These Shining Lives; Annie; Communicating Doors; and Taking Steps. Prior sound credits include Side Man and Watch on the Rhine at CP, as well as the Miracle Worker and To Kill a Mockingbird at Compass Rose Studio Theater. She is very happy to be working again with Debbie after Woolf, and thanks her friends, family, and Eric because as always, "I can't, I have rehearsal."

Carol Youmans (Producer) Carol has been a devoted participant in community theater for over 35 years, learning most of what she knows about theater from workshops and experience gained by working on every aspect of theater at Colonial Players. She has designed sets, lights, costumes, and sound, crewed, and served on many boards, most recently as artistic director, but formerly as president, director of marketing and community outreach, vice president, house director, and others. Her favorite role is directing: Fences, Macbeth, In the Next Room, A Funny Thing Happened on the Way to the Forum at CP and A Midsummer Night’s Dream with Jim Gallagher at ASGT being among her favorites.

Written by Martin McDonagh
Directed by Dave Carter
Produced by Tom Stuckey
Performance dates:
September 9 - October 1, 2016
Run time: 2h 35m

Set in 1934 on the Aran Islands at the mouth of Galway Bay in western Ireland, this play focuses on inhabitants of the island of Inishmaan, who are excited to learn of a Hollywood film crew's arrival on neighboring Inishmore to make a documentary about life on the islands. "Cripple" Billy Claven, eager to escape the gossip, poverty and boredom of Inishmaan, vies for a part in the film, and to everyone's surprise, the orphan and outcast gets his chance . . . or so some believe.

To download the production postcard for The Cripple of Inishmaan  to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. 

About the Director

Dave Carter is beyond the moon in his Colonial Players directorial debut. He is honored and humbled to be chosen to open the season and couldn’t be more pleased to be directing The Cripple of Inishmaan , a show he fell in love with the minute he read it. Dave trained with Citrus Theatre as well as the London Academy of Music and Dramatic Art (LAMDA) and has been seen on the CP stage in shows such as Communicating Doors, These Shining Lives, and A Few Good Men. He also assistant directed Taking Steps, Boeing Boeing, and the Ruby Griffith Award winner, The Liar. He wants to thank Steve Tobin for his mentoring and push to move into the director’s spot as well as Barbara Marder for giving him his first chance to work with The Colonial Players. Dave also acknowledge his All-Star Cast and Crew. He could not have imagined going into the production that he would have a chance to work with a group of people so amazingly talented, it has truly been a pleasure. Lastly, Dave would like to send out a very special thank you to his family and friends for encouraging him in the craft he loves and for understanding, “I Can’t. I Have Rehearsal.”

Director's Notes

When I first read this play, I put the script down knowing it was the show I wanted to direct for my debut at Colonial Players. It was not just an honor that they chose me to direct the opening show of the season as a first time director, but I actually got a show that inspired me. In life we are judged in many ways. We are often pidgeon-holed into certain stereotypes and not truly looked at for who we are and what we are capable of. We forget to look beyond the cover of the book, we forget to listen to what people say, we forget being human is more than one bad moment in time or that we aren’t an invalid because we have a disability. Growing up in a small town can be tough; people become an extended family, not just strangers cohabitating in the same general area. The worst part is that when we judge others, we can kill dreams and stifle souls. Billy Claven is so much more than the people around him realize. He is the man with the courage to rise above his difficulties to show that while he may be crippled, he is not in

any way an invalid. “Well, is it their life or is it mine?” A boy with a dream is a powerful thing regardless of the challenges he faces. As Billy shows us, sometimes you have to leave home to realize what you have right where you are. I was that young boy in a small town in Montana, marked from the first day I walked into a new school in that tiny town. It is home and a place I love more than anything, but I had to go on my own adventure to see how wonderful that tiny town is. What I learned most along the way is exactly what Billy does, and that is you have to soar to fill your soul but your family is what keeps you rooted.

I hope this production is not just an entertaining evening, but will encourage you, the audience, to look more deeply at people and to fill their dreams instead of stifling their souls.

– DAVE CARTER

The Cast

Danny Brooks (Doctor McSharry) - Danny performed here as Ben Weatherstaff in last season's The Secret Garden. He is fortunate to be appearing again with talented young actors and many of his old(er) CP friends (talented, too, of course). His favorite roles include Chater (Arcadia), Scrooge (A Christmas Carol), Niels Bohr (Copenhagen), and Bardolph (Lettice and Lovage), all at CP. Elsewhere, his favorites include Felix (The Odd Couple), Saunders (Lend Me a Tenor), Whiteside (The Man Who Came to Dinner), and Atticus (To Kill a Mockingbird). He thanks his family and friends for their love and support and thanks Mary Ann for introducing him to the fun of theater.

Carol Cohen (Kate Osbourne) - Carol is not a stranger to The Colonial Players, having been a participating member since 1982. She was seen recently in Morning’s at Seven as Ida Bolton, for which she received a WATCH award nomination. She has performed on CP's stage in plays such as Pippin, Broadway Bound, Wonder of the World, and Jake's Women. She also has appeared at Annapolis Summer Garden Theatre, Dignity Players, Standing O Productions, and The Chesapeake Music Hall, as well as three Baltimore theaters. "I enjoy every show and every theater, but Colonial Players is my home. Thanks for the opportunity to play with you all. And of course, thanks to my wonderful Jay.”

Natasha Joyce (Helen McCormick) - Natasha was last seen at Colonial Players as Clarice in The Liar (winner of the 2015 Ruby Griffith Award). She also choreographed Colonial Players' productions of Annie and Company. Some of her favorite roles include Leota in The Human Capacity with University of Maryland Main Season, Rona in Spelling Bee with Terrapin Theatre Troupe, and Nurse Tate in It Runs in the Family with the University of Ghana. Natasha holds a B.A. in Theatre and Music from the University of Maryland.

Jack Leitess (Billy Claven) - Jack is excited to appear in his first Colonial Players show and thanks the cast and crew for making such an amazing show possible. He is a rising sophomore at Broadneck High School, where he appeared as Danny in Almost, Maine and as Cliton in The Liar.

Mary MacLeod (Eileen Osbourne) - Mary is excited to be part of the cast of The Cripple of Inishmaan . She has acted in many theater productions in the Washington, DC/Annapolis area over the years, but some of her recent favorite roles include the aging British rocker in VVVC Production’s Sex, Drugs, Rock and Roll; Sister Aloysius in Dignity Players’ production of Doubt; and, at Colonial Players, Terry Glimmer in Side Man, Lady Boyle in Superior Donuts, Lettice Douffet in Lettice and Lovage, Nancy Shirley in Frozen, and Marjorie Taub in The Tale of the Allergist’s Wife. As always, she thanks her husband, Alan, and her daughter, Carter, for all their patience and support.

Edd Miller (Johnnypateenmike) - Edd is grateful to The Colonial Players for giving him the opportunity to show off, in many capacities, for more than 50 years. As an actor, he performed in The Last of The Red Hot Lovers, Othello, Moon For The Misbegotten, and Over My Dead Body, to name just a few. He has directed The Apple Tree, Carnival, Plaza Suite, Going to St. Ives, Two Rooms, The Diviners, Six Rms Riv Vu, I Never Sang for My Father, On Golden Pond, Relatively Speaking, Coyote on a Fence, and last season’s Good People. Edd's work has earned CP a Ruby Griffith Award, a One Act Play Award (state and regional festivals), a few Washington Area Theatre Community Honors awards, and numerous nominations. 

Scott Nichols (Babbybobby Bennett) - Scott is excited to be back on stage again, having recently directed Boeing Boeing, last season’s farce, and Rocket Man the season before. Previously at Colonial Players, he appeared as Sheriff Reynolds in Batboy, Wigs in Enter the Guardsman, Max in Lend Me a Tenor, Olf in Incorruptible, Birdy in Terra Nova, and various roles in Under Milkwood. He was also in the two-person show, Stones in His Pockets, and in Gross Indecency; the Three Trials of Oscar Wilde at Dignity Players. He also performed at Annapolis Summer Garden Theatre as Linus in You’re a Good Man, Charlie Brown and Little Mary Sunshine in Chicago. Other favorite roles include Phillip in The Lion in Winter, Don in Butterflies Are Free, and various roles in Jacques Brel. Scott has also performed with Under the Hood Productions, AACC’s Moonlight Troupers, Maryland Hall’s Story Theatre, and the Maryland Renaissance Festival. Scott would especially like to thank Jason for always being there to provide his love and support.

Lisa KB Rath (Mammy O’Dougle) - Lisa enjoys languages and accents, so she is delighted to add lilting Irish to her bag of tricks. At Colonial Players, Lisa appeared in The Curious Savage, The Shepherd’s Chameleon, and as Mrs. Hudson in last season’s Sherlock’s Last Case. She performed in Dignity Players’ premiere of Bloodlines. By day, she is the owner of Paint and Parties (paint and sip events), and At Your Service Annapolis (concierge services). Lisa's fine art photography has been exhibited in juried competitions, galleries, publications, and private collections, including Arterie Fine Art Gallery (Chicago), Artomatic, Circle Gallery, Paul’s Homewood Café, Annapolis Maritime Museum, and BWI airport. Photography sites: LisaRath.com and Facebook: Lisa Rath Photography. Lisa is married to Roger Rath, and mom to Taylor, Emma, Hayley, and Connor Gilbert.

Andrew "Drew" Sharpe (Bartley McCormick) - Drew is excited to be in this wonderful production with Colonial Players. Other productions here include Watch on the Rhine (2015) as Bodo and three productions of A Christmas Carol as Boy Ebenezer/Turkey Boy (2014), Tiny Tim (2012), and Boy Ebenezer (2010) . Drew appeared at Annapolis Summer Garden Theatre as Pugsley in The Addams Family and the Narrator in Into the Woods. He portrayed Thomas in Sister Mary Explains it All For You with Bay Theater Company. He has also appeared in shows at Chesapeake Shakespeare Company, CAD Productions, 2nd Star Productions, and Opera AACC. He was Stu in the 2016 film Tam's World. Drew is an 8th Grader at Wiley H. Bates Middle School in Annapolis. He would like to thank the production team for giving him this opportunity and, of course, his family for their support! Enjoy the show!

The Production Staff

Terry Averill (Set Designer) Terry is back as a set designer after creating the set for Why Torture is Wrong and the People Who Love Them during the 2015-16 season. Previous set designs at Colonial Players include Bat Boy, Kindertransport, and Earth and Sky. Terry also won a Washington Area Theatre Community Honors award for best lighting design for Earth and Sky and received a WATCH nomination for best performance by a lead actor for his role in Superior Donuts. An Annapolis architect, Terry served for four years as president of Colonial Players. Directing credits at CP include Watch on the Rhine; Romantic Comedy; I Love You, You’re Perfect, Now Change; Sunlight; and Kindertransport. Terry has acted in a number of productions at Bowie Community Theatre and directed its productions of Language of Angels and Love, Sex, and the IRS.

JoAnn Gidos (Properties Designer) With this production, JoAnn begins her 25th year of providing properties and set decoration at Colonial Players. She looks back fondly on working with a variety of directors and shows that include dramas, comedies, and musicals. Among her favorites are Enter the Guardsman with Lois Evans, Shipwrecked! with Ron Giddings, Cabaret with Mickey Lund, and A Christmas Carol with Rick Wade. As always she wants to thank her husband of 55 years for his research, constructive criticism, and sometimes fabrication of unusual items.

Eric Hufford (Assistant Director) Eric is happy to be back working with CP, this time as assistant director. This is Eric's second credit as AD, the first being Watch on the Rhine. Favorite roles on stage at CP include Leslie Bainbridge in Taking Steps and Thomas Jefferson in 1776. He has also played roles such as Pharaoh in Joseph and the Amazing Technicolor Dreamcoat and Jesus in Jesus Christ Superstar at other venues. "I'd like to thank Sarah for always supporting me in everything I do. Enjoy the show!"

Nancy Krebs (Dialect/Vocal Coach) Nancy is very happy to be returning to The Colonial Players for this production. Nancy coached the dialects for The Secret Garden last season. She is currently the Resident Vocal/Dialect Coach for the Annapolis Shakespeare Company, where recent credits include: A Midsummer Night’s Dream; My Fair Lady; Turn of the Screw; Romeo and Juliet; The Importance of Being Ernest; Three Sisters; It’s a Wonderful Life: A Live Radio Play; As You Like It; Poe; Tale of Two Cities; and Two Gentlemen of Verona. She has been the Dialect/Vocal Coach for many professional theatre companies in the region including: Studio Theatre in D.C., The Theatre Alliance, Rep Stage in Columbia, The Olney Theatre Center, Everyman Theatre, Center Stage, and Bay Theatre Company. Nancy teaches/coaches voice in the Theatre Department of the Baltimore School for the Arts and operates her own studio: The Voiceworks. She has been a professional actor/singer since 1975 and belongs to all three actors’ unions.

Barbara Marder (Producer) Barbara has been associated with Colonial Players for more than 25 years. She served as Education/ Special Projects Director on the CP board, as a play director, and on a variety of committees, including Play Selection and Promising Playwrights Play Selection. Last season she served as producer for Sherlock’s Last Case. Other projects in recent years include producer for The Liar and These Shining Lives, play consultant for several short plays, and director of Taking Steps. Barbara retired as chairman of Performing Arts at Anne Arundel Community College. She has served as an adjudicator for the American College Theatre Festival for many years, as a board member of the Association for Theatre in Higher Education, and as a theater panelist for the Maryland State Arts Council. She enjoys working part time as a standard patient/ role player for local medical schools, being with her grandchildren, and traveling to new places throughout the world.

Christina R. McAlpine (Costume Designer) Christina is excited to be back designing costumes for Colonial Players! Last CP season she designed and built costumes for the wonderful romp Boeing Boeing. Other design credits at CP include Dead Man’s Cell Phone and The Curious Savage. Christina holds a BFA in Theatre from the University of West Florida and studied costume design at the University of Maryland. She has enjoyed designing and sewing costumes for almost a decade. By day Christina loves working around animals in Catonsville, while at night she designs and manages her own Etsy shop (PrettyBluEyesVintage).” Love to Yanick for all your support and patience!”

Ernie Morton (Stage Manager) Ernie is thrilled to be working with this exceptional cast; it has been a wonderful experience. Ernie previously served as stage manager at CP for This or That, the 2014 short play festival; A Few Good Men; the Ruby Griffith Award winning production of The Liar; Why Torture is Wrong and the People who Love Them; and the 2015 Promising Playwright reading of Kid Turboni Brings the Rain. He also worked as the assistant lighting designer for the Compass Rose Theatre production of The Diary of Anne Frank. “Thanks to David and Eric for all their support. You can call me anytime, even if I am in the hospital. Thank you to Rosalie for keeping me sane and to Lyana for being the best tech and best daughter ever. Love always to Gwen; it’s your own fault.

Shirley Panek (Lighting Designer) Not one to sit on the sidelines, Shirley closed Colonial Player's 67th Season as Margie in Good People, stepped into the role of President of Colonial Players, and co-designed lights for CP's special summer event, The One Week Musical Project - Clue. She now steps offstage into the lighting booth and the role of lighting designer again for The Cripple of Inishmaan. Other light design credits include A Few Good Men, Dead Man's Cell Phone, Trying, Moonlight and Magnolias, and Chapter Two (2012 WATCH nominee with Frank Florentine) at The Colonial Players and Art at Dignity Players. Kudos to Dave Carter for putting together such an experienced and extremely talented cast for his directorial debut at Colonial Players, and thanks for letting me light this beautiful show. Thanks also to the cast and production staff and crew for their patience during tech week. “Love to Drew, Emma, and Jeff - the lights that shine in my life every day."

Michelle Bruno (Sound Designer) Michelle is thrilled to be a part of this production! Directing credits include Communicating Doors (WATCH nominated) and Inventing van Gogh, both Colonial Players productions. Music Directing credits include Footloose, Bugsy Malone, and Enchanted Sleeping Beauty. At home both on and offstage, some of her more memorable roles are as Hattie in Kiss Me Kate (Colonial Players), Armelia in Ain’t Misbehavin’, (WATCH nominated), Mama Euralie in Once on This Island, and Narrator in Joseph/Technicolor Dreamcoat. She would like to thank everyone involved with this production, as their professionalism made this a great experience. Special love to her Husband, Ron Bruno, for all that he is and does.

Written by Edward Albee
Directed by Craig Allen Mummey
Produced by Beth Terranova
Performance dates:
October 21 - November 12, 2016
Run time: 3h 30m

George, a professor at a small college, and his wife Martha have just returned home, drunk from a Saturday night party. Martha announces with liberal profanity that she has invited a young couple—an opportunistic new professor at the college and his shatteringly naïve new bride—to stop by for a nightcap. When the couple arrives the charade begins. The drinks flow and inhibitions melt. It becomes clear that Martha is determined to seduce the young professor, and George couldn't care less. But underneath the edgy banter lurks an undercurrent of tragedy and despair provoked by a secret that has seemingly been the foundation for their relationship. In the end, the secret is exposed revealing the degrading mess they have made of their lives.

To download the production postcard for Who's Afraid of Virginia Woolf?  to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. 

About the Playwright

Edward Albee was widely acclaimed as the best playwright of his generation, challenging audiences with plays filled with dark humor and explosive attacks on institutions such as marriage and religion. His work was critically acclaimed, and he won numerous awards, including three Pulitzer Prizes for drama and two Tony Awards for best play. Albee was born in 1928 and died in September at the age of 88. He won Pulitzers for A Delicate Balance, Seascape, and Three Tall Women. He was recommended for a Pulitzer for Who's Afraid of Virginia Woolf?  by the drama jury in 1963, but the advisory committee rejected the recommendation and declined to award a Pulitzer for drama. Albee won Tony Awards for best play for Virginia Woolf and The Goat, or Who is Sylvia? He was adopted by a wealthy suburban New York couple. His father ran the Keith-Albee chain of vaudeville theaters; his mother, Frances Albee, was a socialite and a commanding presence who kept a hold on him for much of his life. Some of Albee’s plays premiered in England before playing in New York, and sometimes attained greater popularity, appealing more to British sensibilities than those of Americans. Albee was honored by the Kennedy Center for the Performing Arts in 1996 for his lifetime contribution, and received a National Medal of the Arts that same year from then-President Bill Clinton.

About the Director

Craig Allen Mummey has been working in theater since 1991 and directing since 1997. He is always happy and grateful to return here where he got his start. At Colonial Players: These Shining Lives (Ruby Griffith Award), Lettice and Lovage, Les Liaisons Dangereuses, Jekyll & Hyde, Assassins, Arcadia, Rebecca, On Golden Pond, Rumors. At Silver Spring Stage: The Pillowman (WATCH nomination), Blackbird (Ruby Griffith Award), The Goat or, Who is Sylvia? (WATCH Award, Ruby Griffith Award), Dinner with Friends, The Cripple of Inishmaan. At Bowie Community Theater: The Glass Menagerie (WATCH nomination, Ruby Griffith Award), The Heiress (Ruby Griffith Award), The Nerd, Marvin's Room. Elsewhere: Hair, Dancing at Lughnasa.

Director's Notes

MARTHA: Truth and illusion, George; you don’t know the difference.

GEORGE: No, but we must carry on as though we did.

Welcome to Colonial Players’ first regular season production of an Edward Albee play. A few years ago, when I directed my first Albee work, the assistant director pleaded, “Don’t forget the chocolate chips in the cookie dough,” meaning that I should not overlook the humor. It’s one of the best pieces of advice for anyone looking to direct or act in an Albee play.

Since Albee’s death a few weeks ago, everyone involved in this show has felt a shift in energy, an increased sense of responsibility to honor his accomplishments as an author, to do justice to the precision of his craft – not just in his words, but also in the complexities of his characters, his situational awareness – and his wit.

Harold Pinter once said of Albee, “I think what is one of the most pronounced ingredients in his work is mischief.” And director Anthony Page referred to Albee’s wit as “the awful humour in the darkest things.” Ultimately, though, the ability to laugh, however uncomfortably, allows the audience the possibility of hope. “Every one of my plays is an act of optimism,” Albee said, “because I make the assumption that it is possible to communicate with other people.” Near the end of another Albee classic, A Delicate Balance, one character muses, “What I find most astonishing, I think, is the wonder of daylight, of the sun…. I wonder if that’s why we sleep at night, because the darkness still frightens us? They say we sleep to let the demons out….the dark side of our reason. And when the daylight comes again…comes order with it.”

At its core, Who's Afraid of Virginia Woolf? is a love story. Oh, terrible things will indeed happen during this long evening when George and Martha let their demons out. Truth and illusion will fight a fierce, pitched battle, and the stakes – the very survival of a marriage – could not be higher. They will “howl it out,” as Martha says, giving full voice to long-repressed fears and frustrations, doing their best to hang on until dawn. It’s brutal, and at times ugly, but that is because they still have something to fight for. Otherwise, why go through it at all? Order will return with the daylight, but Martha, George, Nick, and Honey will be changed. What remains of truth or illusion is up to the audience to ponder.

“All plays,” said Albee, “if they’re any good, are constructed as correctives. That’s the job of the writer. Holding that mirror up to people.” Albee was a master at that. And that is truth as well – not an illusion. We mourn his passing, and we salute his achievements.

– CRAIG ALLEN MUMMEY

The Cast

Debbie Barber-Eaton (Martha) - Debbie holds a degree in musical theater from The Catholic University of America. A director and a performer, she has worked in local and regional theater and has a particular interest in the genre of cabaret. Favorite roles include Hattie in Follies for Signature Theatre, Sonja in They’re Playing Our Song (Ruby Griffith Award for CP), Rose in Gypsy, Pam in Baby (Ruby Griffith Award for CP), Adelaide in Guys and Dolls, Pistache in Can Can, Mrs. Lovett in Sweeney Todd, and the delicious Lady Macbeth, for which she won a CP acting award. Most recently, Debbie directed Guys and Dolls for 2nd Star Productions, which garnered the Ruby Griffith Award for All-Round Production Excellence. She looks forward to directing Calendar Girls for CP later this season. “Craig, thanks for inviting me to the party in New Carthage. All my love and thanks to my dearest beloveds: Eddie, Neal Andrew, Paul, Donna, Cathy, and Casey, without whom there would be no air to breathe. In loving memory of my Mooface and Bob Marchand, who believed in me when I didn’t believe in myself. Be the little engine that could!”

Ron Giddings (Nick) - Ron fell in love with this role while in college and has waited over 15 years to be involved in a production. He feels so lucky to have such a dynamite cast and crew working on this one. He most recently appeared as Mr. Green in CP’s Musical in a Week production of Clue: The Musical, Frank Abagnale Jr. in Catch Me If You Can at ASGT, and Edgar/Bat Boy (WATCH award for Best Actor in a Musical) in the much-heralded CP production of Bat Boy: The Musical. He has acted in this area with Dundalk Community Theatre, Cockpit in Court, Dignity Players, Moonlight Troupers, 2nd Star, Phoenix Festival Theatre, and the Maryland Arts Festival. At Standing O, he appeared as John in john & jen, as Jitter in The Musical of Musicals, as Scooter in Tracers, as Dennis in This is Our Youth, and as Peter in the U.S. premiere of After the Dance. “Thanks to my parents, family, and friends for being more supportive than I could ever express.”

Joe Mariano (George) - Joe most recently appeared as Giuseppe Zangara in Assassins and Padre in Man of La Mancha. Other roles include George Bailey in It’s a Wonderful Life, Fred in Miracle on 34th Street, Don Juan in The Devil and Don Juan, Beethoven in 33 Variations, Emperor Franz Josef in Amadeus, the Bloody Sergeant in Macbeth, the Duke in Measure for Measure, Porter Milgrim in Deathtrap, an ensemble member in War of the Worlds, and Jim Reston in Frost/Nixon. 

Sarah Wade (Honey) - Sarah is immensely pleased and honored to join the cast of Who's Afraid of Virginia Woolf? Favorite roles at The Colonial Players include Katie in These Shining Lives, Sabine/Isabelle in The Liar, and Cecily Cardew in Ernest in Love. She also appeared in A Christmas Carol, Annie, Taking Steps, and Communicating Doors at CP. She portrayed Lisa Morrison in Dignity Players Collected Stories and was Bet in Oliver! at Compass Rose Theater. She sends much love to her family and friends and her dear hufcat for understanding that: "I can't. I have rehearsal."

The Production Staff

Bernadette Arvidson (Co-Stage Manager) Bernadette is pleased to be working backstage for the first time with The Colonial Players after appearing in Good People last season. She has stage managed for Crystal Gayle, The Artie Shaw Orchestra, The Russian Ballet Theatre Company, and a brilliant traveling Irish Step Dancing Troupe (whose name temporarily escapes her), as well as multiple community theater productions. Bernadette is most privileged to have stage managed for a large corporate United Way fundraiser at the San Angelo Coliseum in Texas with over 2,000 guests in attendance and the best professional technical team under her charge that she could have ever hoped for; now THAT was cool! As ever, Bernadette thanks God for all the good in her life.

Lois Banscher (Properties Designer) Lois became involved with Colonial Players in 2009 working on The Curious Savage. It has been fun to be challenged to locate unique prop items, e.g.: an AK 47 for Why Torture Is Wrong, and the People Who Love Them; 25 Blue Willow coffee cups to be broken in Going to St. Ives; a horse hair whip for 1776; and clay-pot rabbits to be broken in Good People. Lois was nominated for a Washington Area Theatre Community Honors (WATCH) award for 1776 in 2013 and with props partner Grace Bumgardner in 2010 for Mrs. California. Other credits include The Diviners; I Love You, You’re Perfect, Now Change; Sunlight; The Spitfire Grill; Little Women; Lettice and Lovage; Taking Steps; Coyote on a Fence; A Few Good Men; and Bat Boy. Lois also volunteers as an usher at Ford’s Theatre in Washington, DC and is involved in various Annapolis community events. She thanks her family and friends, who are often called upon to search for props, and the CP crew for sharing their expertise. A nightcap, anyone!!

Alex Brady (Lighting Designer) Alex has been designing lighting in Annapolis and Baltimore since 2002. Over the last 15 years, he has worked with diverse companies including Everyman Theatre, Colonial Players, Annapolis Summer Garden Theatre, and several high schools and colleges. His recent lighting design credits include Venus in Fur and Sherlock's Last Case at Colonial Players, Spring Migration 2016 with the AACC Dance Company, and The Diary of Anne Frank at Compass Rose Theater. Alex also recently achieved certification in broadsword stage combat with the Society of American Fight Directors. He is a proud alumnus of the Graduate Institute at St. John's College and teaches for the Humanities Department at Anne Arundel Community College. He is a member of the Mid-Atlantic Society for Historic Swordsmanship, where he trains and competes in historic European martial arts, focusing on the German longsword."

Carrie Brady (Costume Designer) Carrie is returning to Colonial Players after costuming last season's Sherlock's Last Case. Previously, she has costumed for Spirited Productions and the Moonlight Troupers/The Theatre at AACC, covering shows such as The Appeal and Twelfth Night, and assisting with Macbeth. From time to time, Carrie enjoys helping out at her alma mater, St. Mary's High School Drama Club, with set construction and costumes. She would like to thank everyone who has helped out so much with this show.

Kevin Brennan (Co-Stage Manager) Kevin is thrilled to be returning to stage managing duties after a long absence. He first became involved with CP in the early 1990’s when asked to perform in A Christmas Carol to help fill in the male roles. Although it was fun, he knew his calling was backstage! This past summer, Kevin assisted in the box office at Annapolis Summer Garden Theatre, and he is happy to once again return to the world of air conditioned theater. Favorite backstage experiences include Chicago; Annie; Hello, Dolly!; The Music Man; Godspell; Cabaret; and Peter Pan. Kevin thanks Craig, Bernadette, the cast, and the rest of the crew for such a wonderful experience! He says it is great to return after all these years and find familiar faces still doing what they have a passion for! Kevin hails all the way from Arnold, MD where his parents still reside and recently celebrated 55 years of marriage! During the day, Kevin is a contractor in IT for the U.S. Army Research Lab. He sends his love to his family for always letting him follow his heart and to his husband, Don, for all his support and never ending love for 21 years!

Barbara Colburn (Set Designer) Barbara is returning as set designer after a long hiatus from Colonial Players and set designing in general. Years ago, Barbara designed numerous sets for CP, including Lost in Yonkers, Social Security, Dancing at Lughnasa, Catch Me If You Can, and A Christmas Carol (twice). She has a special fondness for the shows that let her stretch – like Assassins (the electric chair on wheels) and Rebel Armies Deep Into Chad (stapling real grass and weeds to the stage floor). Barb may be best known at CP for the glow-in-the-dark floor at the opening of Prelude to a Kiss which received applause each and every performance.

Ben Cornwell (Sound Designer) This is Ben's 16th season at Colonial Players, and he has always considered this theater a second home. Last season, he designed sound for Venus in Fur and Boeing Boeing. During the day, he is one of three fulltime gardeners in the William Paca Garden. He is honored to be working with such a stand-up cast and crew on Colonial Players' first Edward Albee production. I would like to thank Peter for his ongoing support and patience while I do this crazy thing called theater!

Beth Terranova (Producer) Who's Afraid of Virginia Woolf? marks Beth’s 42nd effort with Colonial Players. Beth previously produced A Few Good Men, Moonlight and Magnolias, Chapter Two, three One Act Festivals, and Ben Franklin: An Ingenious Life. Most recently, she directed and designed the set for Sherlock’s Last Case. Among other backstage credits, Beth directed and designed the sets for 1776, She Loves Me! and Hauptmann, and designed the set for The Spitfire Grill. Her costume designs have been seen in These Shining Lives, Coyote on a Fence, Going to St. Ives, Cinderella Waltz, Lettice and Lovage, The Diviners, The Lion in Winter, The Philadelphia Story, Hauptmann, and Moon Over Buffalo. On the CP stage, Beth was most recently seen as Aunt March (Little Women), and as Ellen van Oss (Two Rooms). Beth is an 8-time nominee for Washington Area Theatre Community Honors (WATCH). She was nominated for: Set Decoration and Special Effects (Sherlock’s Last Case), Outstanding Play (Producer for A Few Good Men and Moonlight and Magnolias), Costumes (Cinderella Waltz and Going to St. Ives), Featured Actress (Two Rooms), and Director (Hauptmann). She won the Outstanding Director award for Hauptmann. Beth pays her bills via her day job as a Department of the Navy Program Analyst.

Play and lyrics by Richard Wade
Music by Dick Gessner
Performance dates:
December 1–December 11, 2016
Run time: 90 minutes

Colonial Players is pleased to present our traditional holiday show, A Christmas Carol. Warm your heart to the music, characters, and story of Scrooge’s redemption through the visits of the Ghosts of his Christmases Past, Present, and Future. Travel with him through time and the streets of the London of 170 years ago to discover the true meaning of Christmas and rekindle your holiday spirit.

To download the production postcard for A Christmas Carol to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. A PDF of the playbill is also available in the same location under the Production Playbills heading!

About the Director

Richard Wade has been active as a director, writer, and actor in theaters in the AnnapolisWashington-Baltimore area since the late 1960s. He has directed more than 25 productions for Colonial Players since becoming a member in the late 1960s. They include last season’s Morning’s At Seven, the musical Ernest In Love, Amadeus, Our Town, Driving Miss Daisy, The Trip To Bountiful, She Loves Me, Inherit The Wind, Hello Dolly! and many others. Rick also has directed for the Annapolis Opera, Summer Garden Theatre, Anne Arundel Community College, Bay Theatre, and Compass Rose Theater. He wrote the adaptation and lyrics for this musical version of Dickens’ A Christmas Carol with music by Dick Gessner, which has been produced by Colonial Players in Annapolis almost annually for more than 30 years. More than a dozen of his plays and musicals have been produced in community and professional theaters. The Anne Arundel Arts Council presented its Annie Award for achievement in the performing arts to him in 2008. He and his wife, Jennifer, live in Arnold and are the parents of a son, Andrew, and a daughter, Sarah, also an active performer and member of CP.

About the Composer

Dick Gessner collaborated with Rick Wade to write the music for A Christmas Carol and also wrote music for Wade’s adaptations of children’s musicals Pinocchio, Puss ‘n Boots, Rumpelstiltskin, and Treasure Island. A popular entertainer in the Annapolis area for many years, Gessner is now retired and living in Florida. He served as musical director for many productions in Maryland, including Carousel, Fiddler on the Roof, and My Fair Lady at Annapolis Summer Garden Theatre and Little Mary Sunshine; The Apple Tree; You’re a Good Man, Charlie Brown; The Contrast; and Carnival at Colonial Players. 

About the Choreographer

Lindsay Zetter returns to Colonial Players for her second musical production, having served as choreographer for the 2015 production of Ernest in Love. Classically trained in ballet since age three, she loved choreographing as soon as she knew the steps. Receiving a degree in Arts Management from Indiana University, she has been Associate Artistic Director of Academy Ballet School since 2011 and teaches at The Key School. She has staged and choreographed fulllength youth productions of Snow White, Alice in Wonderland, Peter Pan, The Wizard of Oz, and Beauty and the Beast, and has choreographed for both Annapolis Opera’s Faust, and Key Theater’s Once Upon a Mattress. She would like to thank Rick for this wonderful opportunity to be a part of an Annapolis tradition, after over a decade of being an audience member.  

About the Music Director

Annie Flood is versatile musician and native Annapolitan. She is a graduate of the University of Notre Dame, where she earned a Bachelor of Arts, cum laude in Music, with a double concentration in Piano Performance and Vocal Performance, and was the recipient of the Halloran Music Scholarship. Throughout her career, Annie has enjoyed exploring several genres of music from opera to jazz. She was often featured as a soloist in the Notre Dame Chorale’s annual presentation of Handel’s Messiah, and sang chorus roles in Opera Notre Dame’s presentations of Le Nozze di Figaro, Les contes d’Hoffman, and Les dialogues des Carmélites. She has also performed internationally, singing the role of First Spirit in Die Zauberflöte at the Kunming Opera Festival in 2011. Annie has worked as a rehearsal pianist and coach for the Colonial Players of Annapolis since 2014, and is thrilled to be working as the musical director for A Christmas Carol this season. She has also enjoyed collaborating with Opera AACC, the Peabody Institute, and Regino Madrid, violinist of “The President’s Own” U.S. Marine Chamber Orchestra. Passionate about the creative and collaborative aspects of music, Annie teaches private piano and voice lessons, is active in the music ministry of several churches, and works with Creative Access, a community-based initiative at Peabody that aims to bring positive change throughout Baltimore. Currently, Annie is working to combine her pianistic and vocal training, and is in her second year of the Vocal Accompanying graduate program at the Peabody Conservatory, studying under Eileen Cornet.

Director's Notes

I began work on a musical adaptation of A Christmas Carol in early 1981. A first draft of the play and some of the lyrics were finished by late that summer with no thought of a production … it was something I was tinkering with for fun. A casual conversation with then-CP President Dean Johnson (later Annapolis’ Mayor) led him to commit the theater to producing it – sight unseen – if it could be finished in time. Dick Gessner and I had collaborated on a series of musicals for children years earlier, and Johnson nudged him to join the project to compose the music. With the last of the songs written two days before opening, the play, with me as director and Dick as musical director (because no one else wanted to do it), opened in November of that same year. The actors, designers, crew, and cast agreed to do the show never having seen a page of script or a note of music. More than a few people thought it would quietly fizzle out as a one-year experiment. Annapolitans, bless ‘em, took the play to their hearts. Over the years, I have returned to direct it a few times. It has taught me the timelessness of Dickens’ wonderful story and the joy that so many people have found in bringing it to life and watching it told again in the theater for which this musical adaptation was created. Mr. Gessner and I could not be more grateful.

- RICK WADE

The Cast

Greg Anderson (Soliciter One) - Greg Greg is excited to be back on CP’s “360,” working with Rick and Tom, and this terrific cast and crew. Past CP favorites include Lt. Wright in The Secret Garden, David Crampton in Morning’s At Seven, and the Ghost of Christmas Present in A Christmas Carol (2014). Among Greg's other favorite juicy roles with PGLT, BCT, Tiffany Shannon Productions, and Church Hill Theatre are Bobby Dwayne, Fred Gailey (U.S. stage premiere), Leon Tolchinsky, Dr. Nikolai Zubritsky, Bob Cratchit, Teddy Brewster, Andrew Ladd III, The Tin Woodman, G.W. Nethercott, Ken Gorman, Hysterium, Miles Gloriosus, President Art Hockstader, and Santa. Greg thanks Suzanne and the kids, Molly Rey and BoPeep, for their support. Keep wondering, but keep smiling!

Barbara Bartos (Laundress) - This is Barbara’s second performance with Colonial Players. She was last seen in 2015 as Lady Bracknell in Ernest in Love. Barbara’s past theatrical experience includes performing as a featured singer with the British Embassy Gilbert & Sullivan Society in Washington and in a number of NYC Off-Off Broadway showcases in roles including Toby in The Gingerbread Lady and The Dancer in Feiffer’s People. Her past regional theater roles include Aldonza in Man of La Mancha. Barbara is currently a member of the U.S. Naval Academy Chapel Chorale. She is president of Speakers.com, a celebrity speaker’s bureau, which she co-founded with her husband and partner, Glenn. She is delighted to be back on stage playing with the incomparable Rick Wade and this fantastic cast of A Christmas Carol. Merry Christmas and Happy Holidays to all.

Tom Bethards (Dick Wilkens/Party Guest) - Tom is excited to return to Colonial Players for this very special production. You may remember him from Annie! (Mr. Bundles/Ensemble) and 1776 (Mr. Morris). He has also performed at Silhouette Stages (Oliver!, Mr. Sowerberry) and Prince George’s Little Theatre (Once Upon a Mattress, Sir Render/ Ensemble). As a singer, he has appeared at venues ranging from pub sings and cabarets to the Maryland Renaissance Festival to the Kennedy Center and the National Cathedral. He is also an avid piano student, specializing in jazz. He would like to thank his friends, his family, and his fellow cast members for all of their support.

Dr. Doug Dillner (Undertaker’s Man, Party Guest) - Doug started acting when in high school. Here at Colonial Players, he has played Scrooge and Marley several times, as well as Fezziwig. Tonight he reprises his role as Joe, The Undertaker’s Man. Next role for him? Tiny Tim or bust. Life is good – Tallyho.

Walker Dixon (Peter Cratchit) - Walker is a freshman at Annapolis High School who recently moved from Charlotte, NC. His most recent professional productions include Oliver!, Scrooge, and Miracle on 34th Street. He appeared in the world premiere of Ella’s Big Chance: A Jazz-Age Cinderella at Children’s Theatre of Charlotte. Film credits include The Way Way Down as a series regular. Walker would like to thank Colonial Players for this wonderful opportunity to do what he loves best, performing on stage.

Michael N. Dunlop (Ebenezer Scrooge) - Michael is very happy and excited to return to the Colonial Players as Scrooge in this year's production of A Christmas Carol. This will be his fourth appearance in the show, including appearing as Scrooge in the 2014 production. Last year, he worked with director Rick Wade on Morning’s at Seven and is thrilled to be working with him again. Other productions at Colonial Players include Something's Afoot, Sly Fox, A Funny Thing Happened on the Way to the Forum, and Trying. Michael has been a SAGAFTRA member since 1988 and has acted in film, television, and commercial video productions in the Baltimore/Washington market, with a recent role in Veep on HBO.

Reed Eckman (Tiny Tim/Boy Scrooge) - Reed is in the second grade and is thrilled to be making his theater debut with Colonial Players. He has dreamed of being on this stage since watching his older sisters perform here in Annie three years ago. Reed enjoys spending time outdoors, playing piano, and making conversation. He can always be heard singing a tune wherever he goes. Like Tim, he feels truly blessed, especially to have been given the opportunity to be part of such a talented cast.

Peter Eglitis (Mr. Fezziwig, Caroler) - “My character's description: ‘An enormous portly man who brims with high spirit and good cheer’... ‘Extremely agile for his size’... ‘Rich, fat, comfortable jovial voice.’ I, Peter Eglitis, plead guilty as charged! Enjoying a second attempt as Mr. Fezziwig with The Colonial Players. This will officially be my second stage performance since my younger school years... Truly appreciative of my family, friends, and the Colonial team for all the support and patience to keep my dreams alive! It is great to be ‘Cozy and among friends!’”

Trevor Greenfield (Nephew Fred) - Trevor is excited to be making his Colonial Players debut! He is a K-4th grade General Music teacher for Anne Arundel public schools. He received his B.A. in Music Education (voice, piano) from Slippery Rock University in 2011. Before relocating to Maryland in 2015, he taught K-12 music, private voice and instrument lessons, and directed The Drowsy Chaperone; You’re a Good Man, Charlie Brown; and Bye, Bye Birdie! for the Leetonia School District in Ohio. He most recently served as music director for Children’s Theatre of Annapolis’ Fall production of Seussical. Some of his favorite roles include Jeffrey from Godspell, Perchik from Fiddler on the Roof, Judah from Joseph and the Amazing Technicolor Dreamcoat, and his ensemble roles in The Producers. Trevor would like to thank his fellow cast mates for their dedication and support and his directors for giving him the opportunity to perform in his favorite story!

Eric Hufford (Ghost of Christmas Present) - Happy, as always, to be back on the CP stage, Eric’s most recent role at CP was as Jack Worthing in the 2015 production of Ernest in Love. Favorite roles at CP include Leslie Bainbridge in Taking Steps and Thomas Jefferson in 1776. He has also played roles such as Pharaoh in Joseph and the Amazing Technicolor Dreamcoat and Jesus in Jesus Christ Superstar at other venues. Offstage at Colonial Players, Eric was assistant director for Watch on the Rhine during the 2015-16 season. "I'd like to thank Sarah for always supporting me in everything I do. Enjoy the show!”

Charlize Leffler (Belinda Cratchit) - Charlize is 12 years old and is thrilled to be cast as Belinda Cratchit with Colonial Players. Most recently, she performed with Ford’s Theatre in A Christmas Carol as Belinda Cratchit. She also has performed with Compass Rose Theater in Roar of the Greasepaint, Colonial Players in Annie as Molly, 2nd Star Productions in Children of Eden, Talent Machine’s productions of Camp Rock and Once on this Island, and Children’s Theatre of Annapolis’ production of Pippi Longstocking. Charlize takes tap, ballet, voice, and piano lessons. In addition to musical theater, she also performs with her rock band, Mistaken Identity, with The Priddy Music Academy at various venues in Maryland. Charlize would like to thank all of her teachers, directors, and the cast for all of their support! Enjoy the show!

Heather McMunigal (Fred's Wife/Caroler) - Heather is delighted to make her second appearance on the Colonial Players stage after having played Rose Lennox in The Secret Garden last season. Heather grew up performing in musical theater from a young age and received her Bachelor of Arts in Music (voice) from Penn State University. Heather remains an active singer and has worked for nonprofit arts organizations for several years. She now helps to “Save the Bay,” working for the Chesapeake Bay Foundation and living not far from the theater in downtown Annapolis. Many thanks to the cast and creative team for making this experience a marvelous one at this most wonderful time of the year.

Sherri Millan (Mrs. Fezziwig/Caroler) - Sherri was born in Baltimore and moved to Annapolis as a young teen. She has long enjoyed music and performing. Outside the theater, Sherri is the treasurer for Spoutwood Farm, a non-profit in Glen Rock, PA. She also enjoys painting, reading, gardening, playing guitar, and being in the presence of animals. A Christmas Carol is Sherri's third production with Colonial Players. Her former experience includes playing Effie in Ernest in Love and Myrtle Brown in Morning’s at Seven. Sherri would like to thank her family, everyone at Colonial Players for all their hard work, and a special thanks to Annie Flood for patience and excellence as music director.

Emma Miller (Fanny) - This is Emma's first time on stage, and she is thrilled to be playing the same role that her sister Holly played in the 2012 production. She is also excited to be able to share the stage with her mom, Lesley Miller (Party Guest). In her spare time, Emma enjoys playing her violin, singing, gymnastics, and doing fun things with her Girl Scout troop.

Leslie Miller (Party Guest) - This is Lesley's seventh time performing in this production, having previously played The Ghost of Christmas Past (2001) and Mrs. Cratchit (2002-2005, 2012). She has also performed with other local groups, including Annapolis Summer Garden Theatre, 2nd Star Productions, and Bowie Community Theater. She is very much enjoying being on stage with her daughter Emma (Fanny), and would like to thank Rick, Annie, the cast, and the crew for making this so much fun to do!

Lindsey Miller (Mrs. Cratchit) - Lindsey recently relocated here from Chicago and is happy to be making her area debut with The Colonial Players. Recent credits include Mrs. Medlock in Secret Garden, Sister James in Doubt, Joyce in Treasure Island, Dance Corp/Doll in Mary Poppins, Fiddler on the Roof, and Oliver! Lindsey spent the 2014/15 season performing with Edge of the Wood's Resident Theatre in Our Town and The Man Who Came to Dinner. Lindsey holds a B.A. in Theater and Vocal Performance. She wishes to thank the production staff for welcoming her to the CP family! Much thanks to Mom and Rich for all their support and love, and to her two shining stars, Ewan and Finnegan.

Hallie Parrott (Martha Cratchit) - Hallie is 18 years old and a senior at Broadneck High School. She is very excited to be in her fourth production with CP! She also participates in shows with Broadneck High School, Children's Theatre of Annapolis, and Talent Machine Company. She would like to thank the wonderful cast and crew for all of their hard work. Merry Christmas, and enjoy the show!

Ava Phillips (Beggar One) - Ava is very excited to be in another season of A Christmas Carol. In 2014 she was cast as Fanny, and now she is a beggar! Ava is thrilled that she gets to meet new friends along the way. She has also been Juliet in The Seussification of Romeo and Juliet, Goose from Charlotte’s Web, and more. She has loved acting for a long time and hopes she will continue it for her whole life. Ava’s favorite play that she’s been in so far is A Christmas Carol with Colonial Players. She knows that this year will be as awesome as it was the previous time!

Susan S. Porter (Charwoman) - Susan is delighted to be back at CP where she was previously seen in The Christmas Doll and Last Night at Ballyhoo. Favorite roles include: Yenta the Matchmaker, Fiddler on the Roof; Edith Frank, The Diary of Anne Frank (Toby’s Dinner Theatre); Mrs. Gardiner, Pride and Prejudice; Marcellus, The Player Queen, Hamlet tour (Chesapeake Shakespeare Company); Margaret/various other roles, The Laramie Project (KAT); Cyn, The Revelation of Bobby Pritchard (Iron Crow); Cunningham, The Last Days of Judas Iscariot (NCDA); Maddy, Mamaleh (Spotlighters Theatre); Lee Green, Tale of the Allergist’s Wife; Shirley Kaplan, Street Scene (Fell’s Point Corner Theatre), Norma Hubley, Plaza Suite (Cockpit in Court); Lorenzo/Coachman, Pinocchio (Red Branch Theatre); Doris, Lemonade Dreams (FCPCapital Fringe Festival); improv troupe, Yo’ Mama’s Cookin’ (HCC). Training: National Conservatory of Dramatic Arts. Grandson, Jack, this is for you!

Lisa KB Rath (Solicitor Two/Bump Woman) - You may have seen Lisa at The Colonial Players as the drunk old Irish Mammy in The Cripple of Inishmaan, as Mrs. Hudson in last season’s Sherlock’s Last Case, as well as in The Curious Savage and The Shepherd’s Chameleon. She performed in Dignity Players’ premiere of Bloodlines. By day, she is the owner of Paint and Parties (paint and sip events), and At Your Service Annapolis (concierge services). Lisa's fine art photography has been exhibited in juried competitions, galleries, publications, and private collections, including Arterie Fine Art Gallery (Chicago), Artomatic, Circle Gallery, Paul’s Homewood Café, Annapolis Maritime Museum, and BWI airport. Photography sites: LisaRath.com and Lisa Rath Photography on Facebook. Lisa is mom to Taylor, Emma, Hayley, and Connor Gilbert.

Jim Reiter (Bob Cratchit) - Jim played Mr. Boddy in Clue, this summer’s “one-week musical” at Colonial Players, and received a Washington Area Theatre Community Honors best director nomination for last October’s Side Man. Other CP roles include Scrooge in A Christmas Carol (2005 and 2010), the Dead Guy in Dead Man’s Cell Phone, Ben Hecht in Moonlight and Magnolias, Dale in Dog Logic, Mr. Maraczek in She Loves Me!, multiple characters in Hauptmann (WATCH Award for best featured actor), Robert in Proof, and Boolie in Driving Miss Daisy, his first CP production way back in 1995. He appeared in Annapolis Summer Garden Theatre’s The Addams Family, and directed The 39 Steps at Dignity Players, where he appeared in Sordid Lives, The Crucible, and The Shadowbox. Elsewhere he appeared in the Annapolis Chorale’s Once Upon a Mattress, Annapolis Shakespeare’s Pride and Prejudice, and Bay Theatre’s Becky’s New Car. At 2nd Star Productions, Jim directed 1776, The Music Man, Once Upon a Mattress, and How to Succeed in Business Without Really Trying, and appeared in numerous productions.

Samantha Sikon (Mistletoe Man/Bump Man/ Turkey Boy) - Samantha is an 8th grader at St. John the Evangelist in Severna Park and is so excited to make her Colonial Players debut in A Christmas Carol. Her previous roles have included Lily St. Regis in St John's production of Annie, Puck in Shakespeare Along the Severn's production of A Midsummer Night's Dream, and the Fairy Godmother in Children's Theatre of Annapolis' production of Twinderella. She enjoys horseback riding and playing the electric guitar, and can regularly be seen jamming with her friends at the School of Rock in Gambrills. Sammy wants to thank both Rick Wade and Annie Flood for bringing A Christmas Carol to life and making it so much fun.

Fred Taylor (Ghost of Christmas Yet to Come) - A Catonsville resident and the Official Town Crier for Annapolis, Fred failed retirement twice. He currently works as a tour guide for Watermark and is the court-side announcer for UMBC basketball. He is thrilled to return to the Colonial Players stage, where he has appeared in A Christmas Carol, 1776, Busie Body, Death of a Salesman, Rebecca, and Arcadia. He dedicates his performance to his family and friends, especially to his wonderful grandchildren. ”Love you all. And to Rick, and his entire production team, backstage crew, and terrific cast, thank you. God Bless Everyone! Merry Christmas.” 

Martin Thompson (Young Scrooge) - Martin is excited to be back on the Colonial Players stage. CP credits include roles in The Philadelphia Story and The Busie Body as well as two previous productions of A Christmas Carol. Additionally for CP, he directed the one-act play The Shepherd's Chameleon and designed sound for various productions including Company. He was one of two Colonial Players Scholarship recipients in 2010. Other performance credits include Michael Wells in Two Rooms, Mr. Marmalade in Mr. Marmalade; Romeo in Shakespeare’s R&J; and Horace Vandergelder in The Matchmaker.

Diana Tobin (Beggar Two) - After hanging around Colonial Players for the past two years watching friends and family work on shows, Diana is overjoyed to be making her debut on the CP stage in A Christmas Carol. Diana is a freshman in the IB program at Annapolis High School, where she recently appeared in their fall production of Mr. Peepers. Diana gives shout outs to her friends Sam, Carrie, Kallan, and Liza for being so supportive, and also would like to thank her family, especially her mom and dad, for always helping and supporting her as well as giving acting tips and driving her to and from acting camps.

Steven Tobin (Ghost of Jacob Marley) - Steve has been hiding in the director's chair for the last 25 years, but is now thrilled to be in front of the audience again with his CP acting debut in A Christmas Carol (and to be acting with his daughter Diana for the first time). As a director, Steve helmed the CP Season 66 production of The Liar, which won the Ruby Griffith Award for Best All-Round Production. He also directed The Diary of Anne Frank at Compass Rose Theater last season. Steve did his professional acting apprenticeship at The NJ Shakespeare Festival, and his favorite (very) past acting roles include Ken Harrison in Whose Life Is It Anyway?, John Merrick in The Elephant Man, and Florizel in The Winter's Tale. In his spare time, Steve enjoys being with his family and writing about himself in the third person. Thanks to Cast and Crew!

Sarah Wade (Charwoman) - Sarah is very excited to be performing in her ninth production of A Christmas Carol, having made her Colonial Players debut at the age of 10 as the Turkey Boy in 2000. As luck would have it, she would meet her nowhusband (see Ghost of Christmas Present) in the 2012 production and is very happy to be back onstage with him, and not playing his ward. She is fresh off of CP's recent production of Who's Afraid of Virginia Woolf? in the role of Honey. Past credits include Gabriella in Boeing Boeing, Cecily Cardew in Ernest in Love, Izzy/Sabine in the Ruby Griffith-award-winning The Liar, Catherine Donahue in These Shining Lives, Starto-Be in Annie, Jessica in Communicating Doors, and Kitty in Taking Steps. She also appeared as Lisa Morrison in Collected Stories at Dignity Players. Thanks to her family and friends for understanding: “I can’t, I have rehearsal.”

Ed Wintermute (Ghost of Christmas Past) - Ed has appeared in every performance of A Christmas Carol except for one year. Usually he has played The Ghost of Christmas Present, although he once appeared as one of the Two Gentlemen. This year, he gets to play a more age-appropriate, and very different, role: The Ghost of Christmas Past.

The Production Staff

Julie Bays (Costume Designer) Julie is excited to be part of A Christmas Carol. She has been involved in costuming theater productions for the last 20 years in the Annapolis area. Her last production was Elephant and Piggie with Infinity Theater. She has taught sewing lessons to students of all ages. For the last three years, she has been a guest artist teaching costume design with the public school Performance and Visual Arts Program. Julie gains great joy helping others learn that they can be creative.

Kaelynn Bedsworth (Sound Designer) Kaelynn is delighted to be a part of her third A Christmas Carol production, though she decided to step behind the scenes for this one. Previously she played the roles of Mrs. Cratchit (2014) and Belle and Fred’s Wife (2012), and loved every Christmas-cheery minute of it. Kaelynn has also been seen on the CP stage in multiple productions since 2011 (the latest being The Secret Garden), with sound design credits on The Secret Garden, Bat Boy, Rocket Man, Ernest in Love, and Why Torture Is Wrong and the People Who Love Them. Kaelynn hopes for a Christmas season full of hot cocoa and hippopotamussesses for all!

Tim Brown (Stage Manager) Having been an assistant stage manager and stage crew for several recent productions, Tim is serving for the first time as the "official" stage manager. He can't believe his good fortune to be involved in such a wonderful production so central to Colonial Players and to be working with such great people both on and behind the stage. Happy Holidays.

Frank Florentine (Lighting Designer) Frank has spent years creating Magic with a Drop of Light! For the past four years, his lighting designs for The Colonial Players have generated outstanding reviews, two Washington Area Theater Community Honors (WATCH) nominations for best lighting design in a play (Chapter Two and Coyote on a Fence), and two WATCH selections for Best Lighting Design for a Musical (Bat Boy and Ernest in Love). Frank’s previous work included 25 years as lighting designer for the Smithsonian National Air and Space Museum, show caves throughout the United States, residences, and a 65,000-mile tour with the late Danseur Rudolf Nureyev. His work has achieved numerous professional awards. Frank is a Fellow of the Illuminating Engineering Society and Lighting Certified by the National Council of Qualified Lighting Professionals. He is also a member of United Scenic Artist 829, Lighting Designer. Frank and his wife, Susan Cook (who reluctantly but lovingly becomes a theater widow when he lights a show!!), have lived in the Annapolis area for 27 years.

Constance Robinson (Properties Designer/Set Decoration) During the past 16 years, Connie has volunteered as a public relations consultant, graphic designer, box office assistant, properties designer, and set decorator for Colonial Players. She also serves on the current Marketing Committee. Connie has collected props for numerous productions at Colonial Players, and one play at Dignity Players. She has received three WATCH nominations, and has had many challenges when collecting "unusual props" that still make her smile. Connie enjoys her volunteer work at CP because of the terrific people she works with! She thanks her husband, John, for his help with modifying props. She thanks her family and friends for loaning personal belongings for set props, and for their enthusiastic support.

Tom Stuckey (Producer) Tom was stage manager for A Christmas Carol two years ago and thoroughly enjoyed being a part of this wonderful story of redemption and hope. He thanks his outstanding creative team and the hard-working cast for bringing Dickens’ magical tale to life. Tom has been a part of Colonial Players for more than half a century, working in all sorts of offstage activities and, a few times in his younger and more foolish years, even appearing on stage. Thanks to Dick and Rick for creating this holiday present to all of us.

Carol Youmans (Set Designer) Carol has been active with Colonial Players for over 35 years, starting as a set painter. She created the set for the first production of A Christmas Carol in 1981 and designed and painted the murals of the Victorian London skyline with Jack Youmans, Judi King-Rienitz, and Sandra Zollner in its second year in 1982. She has directed many shows at Colonial Players, including In The Next Room, Dog Logic, Macbeth, and A Funny Thing Happened on the Way to the Forum. She has served many times on the Board of Directors, most recently as artistic director and president.

Written by Martin McDonagh
Directed by Ruben Vellekoop
Produced by Kaelynn Bedsworth
Performance dates:
January 13 - January 28, 2017
Run time: 2h

In 1979, Washington D.C. was a place where people actually talked to each other—where adversaries fought it out on the Senate floor and then smoothed it out over drinks and hors d'oeuvres. Hester Ferris - a mother, a socialite, a powerhouse - throws Georgetown dinner parties to entice senators and cabinet secretaries into her parlor and change the course of Washington and the country. But when her beloved son suddenly turns up with an ambitious Reaganite girlfriend, Hester must choose between preserving her family and defending the causes she's spent her whole life fighting for. Spanning a period of 30 years, The City of Conversation is a family drama that, at its core, is a story of love, hope, and healing.

To download the production postcard for The City of Conversation  to share with your friends, visit the Downloads page of our website and look under the Production Postcard heading. 

About the Director

The City of Conversation is Ruben Vellekoop's directorial debut with The Colonial Players. He also has directed The Deadest Bar in Baltimore (reading), The Who’s Tommy at Kensington Arts Theatre, and a reading from The City of Conversation at Colonial Players. On stage, he appeared in Catch Me If You Can (NextStop Theatre); The Who’s Tommy (as George Spelvin, KAT); Why Torture is Wrong, and the People Who Love Them (Colonial Players); Monty Python’s Spamalot and Avenue Q (Annapolis Summer Garden Theatre); The Complete Works of William Shakespeare and Endgame (Hallam Players). “Big up to Kaelynn, Darice, Atticus, and this whole cast and crew.”

Director's Notes

This show, at its heart, is not a political drama; it’s a family drama. That’s something I said to Mickey and the artistic team when I interviewed for the gig. I said it to each designer, and then I told the cast the same thing after our first reading of the script. I firmly believe that the arguments these characters have and the battles they choose to fight are based in deep, personal resentments and disappointments. But – and there always is one – there is no denying that its political profile was raised on the evening of November 8. After a long and ugly campaign, many families sat together for the holidays and tried to talk about anything but politics because what if they get into another argument? In the last few months, we explored our own family relationships. How we interact with our parents, siblings, children, partners; and that wasn’t always easy. We focused on this family, but found an entire nation, right here, in a small parlor in Georgetown. I’d like to think we became even more relevant in November. If we thought our nation was divided before, I haven’t seen anything to refute that notion since. One of the first cultural clashes when I moved to the US was that “we don’t discuss religion and politics at the dinner table.” That is still a foreign concept to me. We’re all there, no one can leave, let’s duke it out. Let’s be adults and have a conversation. The City of Conversation will hopefully show you why it can be good to have these arguments with your family. Sometimes, you need to fight and scream and curse and flip each other off to get the truth out. But – I told you there always is one – I hope this show also serves as a cautionary tale that sometimes fights have consequences. Where do you draw that line? And what is your next fight worth to you? Don’t stop fighting. Never stop arguing. Keep thinking. Thank you for spending some time with us.”

– RUBEN VELLEKOOP

The Cast

Paul Banville (Chandler Harris) - Recently relocated from New England, Paul is grateful to David Carter for suggesting the audition, to Director Ruben V. for offering the role, and to the production crew and cast for their welcoming community spirit and support (especially in learning his lines!) in his theatrical debut with The Colonial Players! Paul has been sighted (unpaid!) at Middleton’s piano bar crooning “The Way You Look Tonight”. Cheers!

Ian Brown (Young Ethan Ferris) - Ian is in the first grade at West Annapolis Elementary School, where he enjoys studying many subjects, especially science. The youngest of three brothers, he loves playing with Legos and Nerf Guns. Like “Ethan” (his character in the play), he enjoys playing catch. In fact, baseball is his favorite sport - way to go Cubs! Ian is very excited to be making his first appearance with The Colonial Players, and he thanks his Mommy and Daddy for being his handlers.

Carlotta Capuano (Carolyn Mallonee) - Carlotta is thrilled to be performing with this awesome cast and crew. Some of her favorite past performances include Cabaret (KAT), Spamalot (ASGT), The Rocky Horror Show (AACC), Hairspray (ASGT), and Big Love (AACC). Earlier this year, she made her directorial debut with Kensington Arts Theatre’s production of The Who’s Tommy. Carlotta has an AFA in Dance and a BS in Business Administration. When she’s not working in theater, she serves as a library associate and early literacy specialist at the Crofton Community Library. Enjoy the show!

David Foster (Donald Logan) - David is ecstatic about making his debut with The Colonial Players for super-topical The City of Conversation. A theater major at Anne Arundel Community College, David would like to thank Ruben for casting him, Atticus for recommending that he audition, and the cast and crew for their kindness and talent. Special shout outs to his mother, family, and Justin for all their support. Enjoy the performance!

Rebecca Gift (Anna Fitzgerald) - Rebecca is thrilled to be returning to the Colonial Players stage this season. She was most recently seen as Gretchen in last year's production of Boeing, Boeing. She is so grateful for this opportunity and to be working with such a wonderful group of people.

Karen Kellner (Jean Swift) - Karen holds a degree in theater from the University of Maryland (Go Terps!). She spent several years in Los Angeles performing in film, commercials, and on the stage. Prior to her move out west, Karen appeared in Colonial Players' production of Equus. Favorite roles include Hedda in Hedda Gabler, Beatrice in Much Ado About Nothing, Myra in Deathtrap, and Athena in Suite Surrender. When not acting, Karen teaches acting and film to children. Much love to my family for their support -- especially my beautiful daughters, Ashley & Lindsey! 

Henry MacDonald (Young Ethan Ferris) - Henry is in the first grade at West Annapolis Elementary School. This is his first theater experience; he swims and plays soccer, hockey, and basketball. Most of all, he likes to climb magnolia trees, run around with his friends, and play with his big brother, two sisters, and parents. He also likes to read books.

Josh Mooney (Colin Ferris/Ethan Ferris) - Josh is excited about making his debut with The Colonial Players. He most recently graduated from Frostburg State University, where he majored in theater with a focus in acting. His most recent appearance in the Annapolis theater scene was last summer's The Producers at Annapolis Summer Garden Theatre. His most notable roles include Atticus Finch (To Kill A Mockingbird), Carl Hanratty (Catch Me If You Can), Sir Lancelot (Monty Python's Spamalot), Graupner (Bach at Leipzig), and Scrooge (The Trial of Ebeneezer Scrooge). He would like to thank his tremendously talented castmates, his phenomenal director for bringing this moving show to life, and his family and friends for their constant support! Thank you, and enjoy the show!.

Kathleen Clarke Ruttum (Hester Ferris) - Kathleen graduated from The Catholic University of America with a BFA in Theater. She has been active in the Annapolis theater community for many years. Her most recent role was as Esther Frank in the Bay Theatre Company's production of Arthur Miller's The Price. Other memorable roles include Rita in Prelude to a Kiss, Kathleen from Hogan's Goat, and Margarethe Bohr in Copenhagen, all at Colonial Players. She performed as Titania in ASGT's premiere Shakespeare in the Summer's production of A Midsummer Night's Dream as well as Beatrice in Much Ado about Nothing. For the past 19 years, Kathleen has been the director of St. Mary's High School's theater program. In those years she has directed/produced almost 40 full-scale productions, including musicals and non-musicals. In her “off” hours, Kathleen enjoys knitting and taking care of her wonderful husband of 30 years and her amazing children: Mary, John, Delia, and Mickey. Kathleen is indeed grateful to be “treading the boards” again on Colonial Players' venerable stage and is honored to be sharing the stage with such talented actors. Special thanks to our director for his joyful energy and his amazing spirit of collaboration.

Jeff Sprague (Sen. George Mallonee, R-KY) - Jeff has appeared on the stage at Colonial Players in Jekyll and Hyde; Kindertransport (2007 WATCH Award recipient); Kiss Me, Kate; Les Liaisons Dangereuses; Over My Dead Body; I Love You, You're Perfect, Now Change; Chapter Two; Sunlight; 1776; Coyote on a Fence; and The Liar (2015 WATCH Award nominee). He has performed at Annapolis Summer Garden Theatre in Thoroughly Modern Millie and Hairspray, and at Dignity Players of Annapolis in Blue/Orange, The Crucible, and Sight Unseen. Directing credits include Botticelli (2010 One Act Festival) and A Few Good Men at Colonial Players. By day, Jeff is an attorney with the federal government. Love to Kathleen and Ollie. 

The Production Staff

Kaelynn Bedsworth (Producer) This is Kaelynn’s eighth season with CP, and she has volunteered both on the stage and off in a variety of roles, from actress to go-button pusher to steampunk wig maker to Looney Tunes sound effect specialist to smushed-banana cleaner. You may have seen her grace the stage in The Secret Garden, Annie, 1776, and more. Previous producing credits include Communicating Doors. Kaelynn currently serves as Treasurer on Colonial Players’ Board of Directors. Thanks to Ruben, the entire production staff, and the cast, who all have made this production run like a welloiled machine! Kaelynn sends love also to her husband, Wes, who shares this crazy theater world with her on a daily basis.

Wes Bedsworth (Sound Designer) Wes has been involved with over 50 different productions at Colonial Players since he joined in 2007. He won the 2010 Washington Area Theatre Community Honors (WATCH) award for outstanding sound design for Earth and Sky and has been nominated for sound design for several others. Wes serves as Operations Director on the CP Board, Technical Director on the Production Team, and as one of the CP Webmasters. By day, Wes works for Cardinal Engineering in DC supporting the United States Navy. Love and thanks to Mom, Dad, Susan, Abby, and of course his wife Kaelynn.

Atticus Coooper Boidy (Stage Manager) This is Atticus’s first production with Colonial Players, and he could not be more grateful for this experience. He stage manages at many other theaters in the area including Compass Rose Theater, Annapolis Summer Garden Theatre, and Anne Arundel Community College. He is currently the Artistic Director at Severna Park Middle School for the third year and will be directing Beauty and the Beast with them in the spring. He is so blessed to have worked with such intelligent and creative artists during this production. Enjoy the show!

Alex Brady (Lighting Designer) Alex has been designing lighting in Annapolis and Baltimore since 2002. His recent lighting design credits include Venus in Fur and Who’s Afraid of Virginia Woolf? at Colonial Players, Spring Migration 2016 with the AACC Dance Company, and The Diary of Anne Frank at Compass Rose Theater. In April, he performed the role of Macbeth in The Theater at AACC's production of Shakespeare's Macbeth. Brady is certified in broadsword stage combat by the Society of American Fight Directors. He is an alumnus of the Graduate Institute at St. John's College and teaches in the Humanities Department at Anne Arundel Community College. Brady is a member of the Mid-Atlantic Society for Historic Swordsmanship and competes in historic European martial arts, focusing on the German longsword.

Carrie Brady (Costume Designer) Carrie is happy to be working with Colonial Players again after costuming last season's Sherlock's Last Case and this season's Who's Afraid of Virginia Woolf? Previously, she costumed for Spirited Productions and Moonlight Troupers/The Theatre at AACC, covering shows such as The Appeal and Twelfth Night and assisting with Macbeth. From time to time, Carrie enjoys helping out at her alma mater, St. Mary's High School Drama Club, with set construction and costumes. She would like to thank everyone who has helped out so much with this show, especially her tireless assistant (and mother), Maryanne Gross.

Michelle Bruno (Properties Designer) Michelle is thrilled to be a part of this production! Directing credits include Communicating Doors (WATCH nominated) and Inventing van Gogh, both Colonial Players productions. Music Directing credits include Footloose, Bugsy Malone, and Enchanted Sleeping Beauty. At home both on and off the stage, some of her more memorable roles are as Hattie in Kiss Me Kate (Colonial Players), Armelia in Ain’t Misbehavin’ (WATCH nominated), Mama Euralie in Once on This Island, and Narrator in Joseph and the Amazing Technicolor Dreamcoat. She would like to thank everyone involved with this production, as their professionalism made this a great experience. Special love to her husband, Ron Bruno, for all that he is and does.

Mary Butcher (Set Designer) When Ruben first called Mary last spring, she had no idea what she was walking into, but it's been a roller coaster of pure fun and entertainment, and yes, she'd do it all again. It's her first time designing in the round, but in the last year she's been painting up a storm (Clue, Venus in Fur, Sherlock, and The Cripple of Inishmann to name a few). By day she draws things with our very own Terry Averill and by night she's either learning proper tap dancing technique, convincing groups of people to host potlucks, or passionately discussing the revival of Gilmore Girls over a glass of wine. She sends a shout out to Live Arts and the UVA drama department for giving her a chance to dream, design, and build countless numbers of sets. PopPop, this one's for you.